Day 77 Part 2 – Pennington Street – Wapping High Street – St Katharine Docks

When you left us last time we’d made our way back north from the river and the Wapping Wharves to The Highway, the main road that stretches from Tower Hill to the entrance to the Limehouse Tunnel. From here we’ll head west for a bit then double back past the former site of the infamous News International Wapping printworks before winding back towards the river and following Wapping High Street west to St Katharine Docks.

On the north side of the Highway off Cannon Street Road stands the impressive St George In The East Church. The church is one of six in London designed by Nicholas Hawksmoor (1661-1736) built following the passing, in 1711, of an Act for the building of Fifty New Churches in the Cities of London and Westminster or the Suburbs thereof. This was prompted by the accession of Queen Anne to the throne in 1702 under the terms of the Acts of Settlement designed to ensure the Protestant succession. St George’s was built between 1714 and 1729 and gave its name to both the local ecclesiastical parish and its civil counterpart, the third tier of local government, though it was superseded in the latter role when the Metropolitan Borough of Stepney was established in 1927. The church was hit by a bomb during the WWII Blitz on London’s docklands in May 1941. The original interior was destroyed by the fire, but the walls and distinctive “pepper-pot” towers stayed up. In 1964 a modern church interior was constructed inside the existing walls, and a new flat built under each corner tower. The church was Grade I listed in 1950 and in 1980 featured in the film, The Long Good Friday. Not sure which is the greater honour.

Back on the south side of The Highway, once known as the Ratcliffe Highway incidentally, sits the marooned and very derelict former Old Rose pub. This closed down in 2011 and has been left to rot ever since. The building dates from the early 19th century which means that the mysterious stone plaque embedded in eastern wall, which reads “This is the Corner of Chigwell Streate 1678” must have been salvaged from a different building. Presumably one that stood here, as the Old Rose is at the top of what is now called Chigwell Hill. It was only a few years after the building became licensed premises that the so-called Ratcliffe Highway Murders took place in the very near vicinity. On 8 December 1811 a young draper and ex-sailor Timothy Marr, his wife Celia, their young son Timothy, and their shop boy James Gowan were brutally killed at 29 St George’s Street (now the location of a car showroom adjacent to the Rose) while their maidservant had been sent out to pay a baker’s bill and buy a dozen oysters. Twelve days later the publican of the Kings Arms in New Gravel Lane (now Wapping Lane) John Williamson, his wife Elizabeth and a servant Bridget Harrington were also killed at home. The murders were never satisfactorily solved. A sailor named John Williams was arrested as the prime suspect; it was said that he had a grudge against Marr from their time together at sea, but he was found hanging in his prison cell the night before the trial. This was taken to be proof of his guilt and investigations petered out, even though it had been assumed that there must have been two people involved in each killing. Extraordinarily, to allay public anxiety, the Home Secretary, after consultation with the senior Shadwell magistrate, ordered Williams’ body to be drawn through the streets on a cart, for a suicide’s burial.

After continuing west along The Highway we turn left into Virginia Street which, like Breezer’s Hill, Artichoke Hill and the aforementioned Chigwell Hill, bridges the gap between The Highway and Pennington Street. This western end of Pennington Street was once home to the News International Wapping plant which was at the centre of an industrial dispute that, alongside the Miners’ Strike, defined the conflict between the Trade Unions and Thatcherite laissez-faire capitalism in the 1980’s. The 54 week long strike was sparked by the decision of Rupert Murdoch’s News International group to move print production of their UK newspapers from Fleet Street to the new plant in January 1986. At Wapping new computer facilities would allow journalists to input copy directly, rather than relying on print union workers who used older “hot-metal” Linotype printing methods. As a consequence 90% of those typesetters would lose their jobs. News International’s strategy in Wapping had strong government support, and the company enjoyed almost full production and distribution capabilities and was able to rely on a sufficiently large coterie of journalists (including NUJ members) who defied the picket. NI was therefore content to allow the dispute to run its course and, with thousands of workers having gone for over a year without jobs or pay, the strike eventually collapsed on 5 February 1987. In 2010 News International closed the Wapping plant and moved all the staff to nearby Thomas More Square. Two years later, following the demise of The News of The World, and having rebranded as News UK, the company sold the Wapping site to Berkeley Group for £150m. They left Wapping altogether in 2014, decamping to offices forming part of The Shard development.

The photo above was taken from the eastern end of Pennington Street. In the distance on the left you can see the Pennington Street Warehouse, a 313 metre long bonded warehouse constructed around 1805 with a semi-basement of brick vaulted cellars. This now Grade II listed (1973) building was originally used to store fortified luxury commodities such as ivory, spices, coffee and cocoa as well as wine, spirits and wool. It is the only substantial building to survive from the former London Dock. Following the departure of News International, as part of the redevelopment of the London Dock site by St George (part of the Berkeley Group) it was converted into new state-of-the-art office and studio spaces which opened in 2018. (The image top left below is of the old wool warehouses on Breezer’s Hill which date from the mid nineteenth century).

Having traversed the length of Pennington Street we turn south onto Wapping Lane and head down to Tobacco Dock. Tobacco Dock is a Grade I listed warehouse that also formed part of the London Docks.  It was designed by Scottish civil engineer and architect John Rennie and completed in 1812, serving primarily as a store for imported tobacco. At full capacity, the warehouse could accommodate 24,000 hogsheads of tobacco. In 1857 Tobacco Dock was the location of an extraordinary rescue. A colourful local business on the bustling Ratcliff Highway was Charles Jamrach’s Exotic Animal Emporium. This eccentric German businessman had a roaring trade in all manner of unusual animals and birds. One day his Bengal tiger escaped and went wandering down the road. A little boy, who had never before seen such a creature, reached out to stroke the cat. Unsurprisingly the tiger responded by grabbing the boy by his neck and carrying him off into Tobacco Dock. Jamrach gave chase and incredibly managed to fend off the beast with his bare hands. The boy was rescued unharmed and the tiger shipped off to the famous animal collector George Wombwell, earning Jamrach the handsome sum of £300. Unfortunately for him, records show that the boy’s parents sued the animal dealer for the same amount. He wrote bitterly about the incident in his memoirs! After the London Docklands ceased seaborne trade, the warehouse and surrounding areas fell into dereliction until it was turned into a shopping centre which opened in 1989 at a cost of £47 million. It was the intention of the developers to create the “Covent Garden of the East End” but this was never a realistic possibility and it went into administration. By the mid-1990’s only a sandwich shop remained as the sole tenant. In 2003 English Heritage placed Tobacco Dock on its “at risk” register and it stood largely empty until it was used as a barracks for military personnel providing security to the 2012 London Olympics. In the same year the company Tobacco Dock Ltd launched the building as an events and conferencing space for up to 10,000 people. The only event I could find listed for 2024 is something called Meatopia (live-fire chefs ?) happening on the August bank holiday weekend. It’s sold out apparently. Moored in a dry dock in front of Tobacco Dock are two replica ‘pirate ships’ built to entertain the children whose parents were expected to visit the ill-fated shopping centre. The Sea Lark is apparently a copy of a 330 tonne tobacco and spice ship built at Blackwall Yard in 1788 while the Three Sisters is a copy of an 18th century American merchant schooner captured by the Admiralty during the Anglo-American War.

From Tobacco Dock we follow the so-called “ornamental canal” and then work our way back to Wapping Lane, through the new-ish housing developments, via Waterman Way and Reardon Street with nods to the cul-de-sacs of Stevedore Street and President Drive. To the east of Wapping Lane on Raine Street is Raine’s House, named for Henry Raine (1679–1738), a wealthy local brewer and devout churchgoer, who built it in 1719 as a school where poor children could get a free education. The statues in the window niches are replicas, the originals having moved with the school when it relocated to the north of the Highway in 1883.

Round the corner is St Peter’s Church designed by F.H Pownall. It was established in 1856 as an Anglo-Catholic mission to the poor of London by Reverend Charles Lowder and a group of fellow priests belonging to the Society of the Holy Cross. The Society had been founded a year earlier with the purpose of providing its members with a rule for living and a vision of a disciplined priestly life.

From Raine Street we make our way east on Farthing Fields and Pearl Street then do an about-turn and follow Prussom Street, Penang Street, Clegg Street and Hilliards Court down to Wapping High Street. We switch between the High Street and Cinnamon Street a couple of times using Clave Street and Wapping Dock Street before Cinnamon Street feeds us back onto Wapping Lane. Heading north here takes us past today’s Laund(e)rette of the day and several other refreshingly old- school local businesses.

Taking the next turn on the left into Watts Street brings us to today’s pub of the day, Turner’s Old Star. The Star is a real blast from the past. Apparently it was refurbished in 1987 but from the looks of it that was only to update it as far as the Seventies (nowt wrong with that mind). That was also when the pub was renamed in honour of the painter J.M.W Turner who created the pub in the first place. In 1833 Turner met Sophia Booth, a widowed landlady from Margate who was to become his mistress until his death in 1851. When Turner inherited two cottages in the dockland area of Wapping, he converted them into a tavern and installed Mrs. Booth as proprietor. He named the tavern ‘The Old Star’. To maintain his secrecy during their life together Turner adopted her surname. This, combined with his five-foot height and portly physique was to earn him the nickname ‘Puggy Booth’. Refreshments – half of lager and a packet of crisps – not much sustenance for four hours of walking ! Just the two other customers.

After leaving the pub we continue northward up Meeting House Alley before turning left onto Chandler Street and then heading back south on Reardon Street with a brief detour into Vinegar Street. This walk coincided with the start of the RSPB’s Big Garden Bird Watch weekend so in recognition of that here are some Cockney sparrers spotted at this point.

At the bottom of Reardon Street we make a right into Tench Street and loop round past the John Orwell Sports Centre (the eponym of which seems to be unknown to the internet).

On the corner of Tench Street and Green Bank is the Turk’s Head which closed as a pub in the 1970’s but has retained all of its old signage. Confusingly an Anglo-French restaurant called Bistro Bardot now operates from the premises. A sign outside divulges that “During World War II it was run by its eccentric landlady, Mog Murphy, and stayed open all hours for service personnel seeking news of their loved ones. After a vigorous campaign in the 1980s led by Maureen Davies and the wild women of Wapping, the Turk’s Head Company, a charity they set up to improve local life, bought the derelict building from the Council and restored it.” The adjacent St John’s Church is another Grade II listing in the area. The present building was originally erected in 1756 but suffered extensive damage in WWII, with only a fragmentary rectangular shell remaining. The tower was restored in 1964 by the London County Council and the remainder converted into flats in the 1990’s. The exterior of the church appears briefly in Episode 23 of Season 4 of Friends, “The One With Ross’ Wedding”.

Further along Green Bank, this chimney is all that remains of the old D&W Gibbs factory. Gibbs was a manufacturer of soap, shaving soap and toothpaste founded in 1712. Gibbs SR toothpaste was the very first product advertised on ITV when it started in 1955 though by that time the company was part of the industrial behemoth, Unilever, (The initials ‘SR’ are short for sodium ricinoleate, an ingredient effective in the treatment of gum infections). An earlier brand, French Dentifrice, gained infamy when it was used by British troops in France the First World War – not only to clean their teeth, but also to polish the brass buttons on their tunics and the regimental badges on their caps.

Green Bank returns us once more to Wapping Lane from where we follow Brewhouse Lane down to Wapping High Street, on the way passing Tower Buildings, another Grade II listed edifice, erected in 1864 by the Improved Industrial Dwellings Company. It is a rare surviving example of a Victorian tenement block built to house working class families.

We arrive on Wapping High Street right by Phoenix Wharf, the alleyway beside of which runs down to the river and Wapping Pier. The words delusions of grandeur spring readily to mind here.

Just west of Phoenix Wharf is Wapping Police Station where The Marine Policing Unit (MPU) is based. There has been a police building for river police at this site since 1798. The MPU is responsible for policing 47 miles of the River Thames in London between Dartford and Hampton Court. It also provides a response to over 250 miles of waterways and other bodies of water across the rest of London, such as lakes, reservoirs and canals. Prior to 1839 the Marine Police Force was an independent operation and up until 1878 it relied on rowing galleys to conduct its patrols. It was only following the loss of over 600 lives when the steam collier Bywell Castle collided with the pleasure steamer Princess Alice in that year that the force acquired its own steam-powered vessels.

Next up are three traverses between Wapping High Street and Green Bank courtesy of Reardon Path, Dundee Street and Scandrett Street. The latter brings us back up to St John’s Church and the “bluecoat” school that was founded by the parish in 1760. As we have seen on previous excursions, bluecoat schools were charitable institutions established between the 16th and late 18th centuries. The first such school was founded by Edward VI at Christ’s Hospital in Newgate Street in 1552. Around 60 similar institutions were set up over the next two hundred years. They were known as “bluecoat schools” because of the distinctive blue uniform originally worn by their pupils which comprised a blue frock coat and yellow stockings with white bands.

Opposite the southern end of Scandrett Street is the final wharf building of the day, Oliver’s Wharf, which was built in 1870 by architects Frederick and Horace Francis to store tea and other cargo. In 1972 it became the first of Wapping’s warehouses to be converted into luxury apartments. Beside the Wharf is another historic riverside pub, the Town of Ramsgate (which also claims to be the oldest Thameside hostelry). It acquired its present name in 1811 in deference to the fishermen of Ramsgate who landed their catches at Wapping Old Stairs. They chose to do so as to avoid the river taxes which had been imposed higher up the river close to Billingsgate Fish Market. At the beginning of the 20th century there were up to 20 pubs on Wapping High Street and now this is the only one remaining. Like seemingly everything else in the area of a certain vintage it has a Grade II listing and, like the Prospect of Whitby, it has a mock gallows.

A short way beyond the pub the Thames Path resumes alongside the river with great views of Tower Bridge and the Shard looking west.

But we’re not following the path eastward we’re taking a more circuitous route to St Katharine’s Dock which involves heading back through the developments in the old London Dock area by way of Knighten Street, Vaughan Way (several times), Sampson Street, Lilley Close, Codling Close, Torrington Place, Smeaton Street, Lime Close, Hermitage Wall and Kennet Street; then working our way back to St Katharine’s Way via Nesham Street, Thomas More Street and Stockholm Way. A hundred metres or so to the west we arrive at St Katharine Docks. These Docks were named after the former hospital of St Katharine’s by the Tower, built in the 12th century, which stood on the site and which was demolished along with 1,250 slum dwellings when construction of the docks began in 1827. The scheme was designed by engineer Thomas Telford (1757 – 1834) and was his only major project in London. To create as much quayside as possible, the docks were designed in the form of two linked basins (East and West), both accessed via an entrance lock from the Thames. Steam engines designed by James Watt and Matthew Boulton kept the water level in the basins about four feet above that of the tidal river. By 1830, the docks had cost over £2 million to build. Although well used, the Docks were not a great commercial success, being unable to accommodate large ships. They were amalgamated with the London Docks in 1864. During WWII all the warehouses around the eastern basin were destroyed by German bombing and the area they had occupied remained derelict until the 1960s. St Katharine Docks completely ceased commercial activity in 1968 and the site was sold to the GLC who leased it to the developers Taylor Woodrow. Most of the original warehouses around the western basin were demolished and replaced by modern commercial buildings in the early 1970s, beginning with the bulky Tower Hotel and followed by the World Trade Centre Building and Commodity Quay. Development around the eastern basin was completed in the 1990s with the docks themselves becoming a marina which is still in regular use today.

Once beyond the docks we’re out onto the stretch of St Katharine’s Way that runs parallel to the eastern side of the Tower of London and this delivers us back to Royal Mint Court which is more or less where we started the day and which we mentioned briefly at the beginning of the previous post. We noted then that this was the site of the Royal Mint from 1809 to 1967. In actual fact, 1967 only saw the start of the transfer of operations to a new facility in Wales. Minting on some scale continued here until 1975 and the Royal Mint only moved out of the main Johnson-Smirke building (designed by James Johnson and completed by Robert Smirke), in the year 2000. At that time the land was still property of the Crown Estate. The subsequent ownership of the site is somewhat serpentine to say the least; but by 2014 it was effectively in the hands of Delancey (a vehicle owned by BVI incorporated funds controlled by billionaire George Soros) and LRC Group (a property investment company founded by Israeli businessman Yehuda Barashi). Four years later Delancey and LRC sold Royal Mint Court to the People’s Republic of China who envisaged building a new fortified embassy here. You probably won’t be surprised to learn that ground has still to be broken on this project. Concerns and objections were raised by local residents and councillors and Historic England (there are remains of a medieval abbey on the site) and in both the Commons and the Lords. At the same time allegations were raised about possible fraud connected with the sale of the freehold from the Crown Estate to Delancey in 2010 and misinformation supplied to the Treasury Select Committee that reviewed the sale. As of August 2023 the PRC had temporarily shelved its plans having failed to meet the deadline for filing an appeal against Tower Hamlets Council’s original rejection of their plans. The PRC would now have to resubmit its planning application, but the Chinese government is looking for assurances that the UK central government will use its powers to get the application approved. Watch this space (see below).

Day 31 (part 1) -Spitalfields – Broadgate – Liverpool Street Station

Back on the east side again with a sizeable trek that starts off on the edge of the City of London, where we were a few weeks back, on Norton Folgate. We then tour the streets either side of Commercial Street (a.k.a the Commercial Road), taking in Spitalfields Market (both Old and New), before doing a circuit of Liverpool Street station and the various Broadgate developments that surround it.

The area immediately to the east of Bishopsgate and north of Spitalfields market is on the frontline of the battle between City developers and conservationists and after a long-running struggle it looks as though the former have gained the upper hand with Boris Johnson green-lighting the Blossom Street office development in January 2016. This could mean the end for the historic Victorian-era warehouses that inhabit the space between Folgate Street and the west side of Blossom Street.

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Turning right onto Fleur de Lis Street and then north on Elder Street takes us out onto Commercial Street.

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Returning west on Fleur de Lis we turn left onto the southern stretch of Elder Street where many of the terraced properties from its origin in the 1720’s are still intact. Among these are nos. 19 & 21 which are both listed. In the doorway of the former still just visible painted lettering proclaims the leasehold of a straw-chip dealer named Troake and a printer named Leghorn.

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Across the street at no.32 is a blue plaque commemorating the residence here of the painter Mark Gertler (1891 – 1939). Gertler was unrequitedly in love with his fellow artist, Dora Carrington, who was equally devoted to the gay author Lytton Strachey. In 1939 Gertler took his own life just seven years after Carrington had herself committed suicide. His most famous work is probably Merry-Go-Round painted in 1916.

Turn left onto Folgate Street again and then branch off down Lamb Street which emerges on the north side of Spitalfield market. Head back west and reach Spital Square, home to gourmet French restaurant Galvin La Chapelle which occupies a former Victorian chapel.

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Doubling back we take a turn round Bishops Square which was created as part of the 2005 Spitalfields regeneration programme. During the excavations the remains of a charnel house (repository for human bones) dating back to the 14th century were uncovered. These remains have been preserved as part of the development beneath a glass pavement.

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Return eastward on Lamb Street where the open-air food stalls are preparing for lunchtime business then about-turn again to enter into Old Spitalfields Market. Spitalfields takes its name from the hospital and priory, St. Mary’s Spittel that was founded in 1197. The origins of a market on this site go back to the years immediately following the Great Fire of 1666; then in 1682 Charles II granted another of his charters – this time to one John Balch, giving him the right to hold a market for fresh produce here on Thursdays and Saturdays. After several decades of success the area went into decline from the 1820’s onward and it was only when a former market porter called Robert Horner bought a short lease on the market, and started work on a new market building which was completed in 1893 at a cost of £80,000, that its fortunes recovered. The City of London took control of the market in 1920 and it continued to prosper. By the end of the 1980’s however the same congestion issues that forced the closure of Covent Garden resulted in the removal of the fruit and veg market to Leyton further out east. Following this the aforementioned regeneration programme was embarked upon (not without a good deal of controversy). Nowadays, the Old Market continues as a mix of temporary stalls with mainly a vintage/arts & crafts flavour whereas the New Market, further west in the redeveloped section and surrounded by chain restaurants, is filled with permanent stalls with more of a fashion and design feel.

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Having arrived back in Bishops Square we turn east again down Brushfield Street. Beyond the southern side of the street the City’s relentless eastern march is in full swing though a few of the 18th century buildings are holding their ground. Despite appearances this one below is home to yet another coffee shop.

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As we continue up Brushfield Street with the market to our left Nicholas Hawksmoor’s imposing Christ Church looms ever closer. This Anglican church, built between 1714 and 1729, was another product of the “Commission for Building Fifty New Churches” created by a 1711 act of parliament (we have already encountered other examples of these in our previous travels though only twelve were actually built). Christ Church is probably the finest of these twelve with its impressive Tuscan columns out front and its soaring Gothic steeple. A major restoration of the interior of the church, begun in 2000 and completed in 2004, removed nineteenth- and twentieth-century alterations and reinstated the original arrangement of galleries, returning them to something as close as could be established to Hawksmoor’s original design. In 2015 the Crypt was also restored and converted into a cafe area. The organ which was originally installed in 1735 was the largest in England at the time with over 2,000 pipes.  After it fell into disuse and disrepair in the 1960’s the organ’s parts were removed for safe-keeping during the restoration project. Following its own restoration it was reassembled in the church in 2014.

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The monuments on either side of the altar recess are to Edward Peck and Sir Robert Ladbroke respectively. The former was one of the Commissioners who authorised the building of the church and the latter was a one-time Lord Mayor of London. When I visited the church was manned (if that’s the right word) by an Indian lady called Ava Bose who showed me a programme advertising Billy Graham’s crusade appearance in Victoria Park in 1996 when she shared a platform with him (I suspect she shows it to most visitors).

Continue east away from the church down Fournier Street. This area saw the arrival of many of the Huguenots driven out of France following the 1685 edict of Nantes (which featured in one of the Leicester Square posts). The Huguenot silk weavers were followed by a later wave of Irish weavers in the mid 1700’s and then from 1880 onward an influx of Jewish migrants fleeing the pogroms of Eastern Europe. The current population of the area is of largely Bangladeshi origin.

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Turn north on Wilkes Street and stop off at Puma Court to take a look at some Victorian almshouses built in 1860.

At the end of Wilkes Street, on Hanbury Street, is the Old Truman Brewery. A brewery was originally established here around 1666 and the Truman name arrived a decade or so later when one Joseph Truman took control of operations. Under the guidance of Joseph’s younger son, Benjamin (who inspired the Ben Truman brand), the brewery expanded rapidly to become one of the largest in London. Growth both organically and through acquisition continued under subsequent generations and by 1873 Truman had become the largest brewery in the world. Nothing lasts forever though and in 1971 Truman lost its independence when it was taken over by the conglomerate, Grand Metropolitan, and shortly thereafter merged with Watney Mann. A switch into keg beer in the late seventies and early eighties combined with a growing consumer preference for lagers proved to be the undoing of Truman and the brewery eventually closed in 1989. In a bizarre case of things turning full circle though the Truman brand name was bought from Scottish & Newcastle in 2010 by two London businessmen who opened a new micro-brewery in Hackney Wick producing a range of cask ales. The brewery site itself has over the last twenty years been turned into a centre for the arts and creative and media industries with gallery spaces, restaurants and independent retail outlets.

Head north up Corbet Place and then Grey Eagle Street which flanks the brewery (see bottom right above). Turning left onto Quaker Street there are three blocks of buildings which were put up by the Great Eastern Railway Company in 1890 in order to rehouse those whose homes had been demolished to accommodate the expansion of Liverpool Street Station. These buildings currently lie derelict (for how much longer) but like many other spots in the vicinity have provided a ready canvas for the local street artists. As have the walls on either side of Wheler Street and Braithwaite Street which combine to link Quaker Street with Bethnal Green Road.

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Retracing our steps back underneath the railway we enter the southern section of Wheler Street passing Bedford House. This Grade II listed building was built in 1894 to house the Bedford Institute, named in honour of Peter Bedford, a Quaker philanthropist and silk weaver who formed the Society for Lessening the Causes of Juvenile Delinquency. The institute moved out in 1947 and the building was converted for industrial use as a warehouse and bottling plant for E.J.Rose & Co Ltd, wholesale suppliers of spirits and wine. When they too left in the late eighties the building was empty for more than 20 years before squatters moved in 2011 followed shortly after by an artists’ collective from Berlin. Despite the group carrying out restoration work on the building and the owner, reputed to be in the UK top ten rich list, seemingly having no plans of his own, they were evicted after only four months. The building still lies empty a further five years on.

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Next we take a left down Calvin Street and then follow Jerome Street round to rejoin Commercial Street.

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Cross over and take a second stroll down Folgate Street, past Dennis Severs House at no. 18 – a museum recreating the world of he 18th century Huguenot silkweavers. Arriving back on Bishopsgate head south briefly then turn west down Primrose Street. Almost immediately swing north again and cut through one of soulless new developments that cluster around Liverpool Street Station – all tinted glass and Pret A Manger. This brings us out onto Worship Street where we turn left and then swing round into Appold Street. From here we do a circuit of Snowden Street, Vardy Street, Finsbury Market, Clifton Street and Pindar Place to bring us back round to Exchange Square which sits on the site to the north of Liverpool Street Station which until 1986 was occupied by Broad Steet Railway Station. By that time only around 6,000 passengers a week were using this outpost of the North London Line so there was every imperative for British Rail to cash in by selling the site. The station was the inspiration for Paul McCartney’s 1984 album and film of the same name Give My Regards to Broad Street. Whether or not this contributed to the closure is open to conjecture. Exchange Square is a popular lunchtime destination for many of the thousands of workers in the surrounding offices and during the winter hosts an ice rink.

Cut through the eastern section of the Broadgate development and we’re back on Bishopsgate and turning right to cover the hundred metres or so to the eastern entrance of Liverpool Street Station. The station was fully opened as the new London terminus for the Greta Eastern Railway in 1875. When I used to travel from here to University in Norwich in the late Seventies and early Eighties it was (like most London mainline stations at the time) not somewhere you would want to linger for any length of time. The major redevelopment of the station was begun in conjunction with the Broadgate project (see above) and completed in 1991. Oddly this didn’t include an electronic departure display boards but a new mechanical “flapper” model that was the last of its kind when finally replaced in 2007 (by the one you see below).

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After traversing the concourse we emerge on the western side in Sun Street Passage then nip round into Broadgate Circle which used to be home to the ice rink that has now moved to Exchange Square but nonetheless remains a “dynamic food, drink and leisure offering to the City” (according to the Broadgate website).

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And that brings us to a close for this particular post though not for this particular day’s walk. We’ll be back to test your patience with highlights of the rest of that in around seven days or so I guess.

 

 

Day 15 – Bloomsbury – British Museum – Holborn

Another short one, at least in terms of distance travelled, but there are a lot of points of interest contained within today’s route. This takes in the area between Tottenham Court Road and Holborn tube stations to the south, east and west of the British Museum and includes a brief incursion into the BM as well as a visit to the, somewhat lower profile, Cartoon Museum.

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Kick off at Tottenham Court Road tube station (with its spacious Crossrail- ready new ticket hall) and head over to the Dominion Theatre. The theatre opened in 1929 but before that the site was occupied by a brewery which was the source of the 1814 London Beer Flood (not quite the lark it sounds as it was responsible for more fatalities than all of the rainwater based flooding of recent years). The theatre is currently showing the musical version of Elf (presumably in tribute to the old maxim about no-one ever going broke by underestimating the taste of the public). Still anything has to be better than We Will Rock You (which had 12 years of mugging gullible punters here).

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Head north up Tottenham Court Road and turn right down Bayley Street which leads into Bedford Square. On its own the latter is endowed with more plaques commemorating the residence of notable public figures than the whole of some of the areas previously visited. I only mention a couple here; first of which, at no.22, is the ornate memorial to the actor-manager Johnston Forbes-Robertson (1853 – 1937). J F-R was educated at Charterhouse – which just shows that in those days it was still possible for someone from the upper middle classes to forge an acting career.

No.6, on the right above, was the home of Lord Eldon  (1751 – 1838) who was Lord Chancellor during part of the reign of George III. At the age of 21 he eloped to Scotland with Bessie Surtees, the daughter of a Newcastle banker, fortunately without being disowned by his family.

No.41 was once the residence of the novelist, Anthony Hope (1863 – 1933), best known for The Prisoner of Zenda.

No.46 is occupied by the Angolan Embassy and no.52 was apparently used as the contestants’ house in the 2010 series of the Apprentice.

The eastern side of the square is where Gower Street morphs into Bloomsbury Street and at no.2 of the former is a plaque to the splendidly named Dame Millicent Garrett Fawcett (1847 – 1929), one of the leading lights of the Suffragist movement. Suffragists were proponents for votes for women but not necessarily Suffragettes (who were a specific and highly militant group). Millicent campaigned, often in vain, on a wide range of Women’s rights issues. However as the head of the National Union of Women’s Suffrage Societies (NUWSS), which unlike the Suffragette WSPU kept up its campaigning during World War One, she played in key role in securing the vote for Women (or at least some of them) in 1919.

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Next up is Bedford Avenue with its very distinctive Victorian terrace on the north side.

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Adeline Place then takes us south to the western section of Great Russell Street where, before rejoining Tottenham Court Road, we pass the headquarters of the Trades Union Congress and the Central London YMCA. The latter is on the site of the original YMCA founded by drapery trade worker, George Williams in 1844. It also proclaims itself as the largest gym in central London.

After turning left at the Dominion again to join New Oxford Street we fork left along Bainbridge Street which merges in Streatham Street where there is further evidence of the work of the Peabody Trust.

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Dyott Street then takes us back to New Oxford Street from where we continue eastward into High Holborn all the way to Holborn tube station. On the way we pass James Smith & Sons, purveyors of highest quality umbrellas and walking sticks on this site since 1857.

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Also en route is Holborn Town Hall, a legacy of time (from 1900 to 1965) when Holborn was a distinct and separate metropolitan borough. In 1965 it was merged with the boroughs of Hampstead and St Pancras to create the London Borough of Camden. The Grade II listed town hall with its Portland stone façade dates from 1908 and is now used as office space.

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From Holborn tube head north up Southampton Row then veer left down Sicilian Avenue, a well-preserved Edwardian commercial development still popular with shoppers and al-fresco diners.

Having crossed over Bloomsbury Way it’s a circuit of Bloomsbury Square next. This is reportedly the oldest London square; licensed to Lord Southampton in 1661 (Covent Garden is older but considered a piazza rather than a square). The eastern side of the square belongs to the massive Victoria House , designed by architect Charles W. Long. Construction of this behemoth of a building with its grand Beaux Arts facades began in 1924 but it wasn’t finally completed until 1932 by which time it was the largest office block in the country apart from Whitehall and incorporated 125 miles of electric wiring, 5000 tons of steel frameworks and 5.25 million bricks.

The square itself was at first very simply landscaped, but was laid out by Humphrey Repton in about 1806 in a more romantic manner in accordance with Regency tastes. At the north end is Westmacott’s statue of Charles James Fox (1749 – 1806), gazing towards his friend the Duke of Bedford in Russell Square. CJF, who served as Foreign Secretary under three different prime ministers, was notorious for his drinking, rakishness and gambling as well as his corpulence and unlovely appearance. As such he was reputedly the most-ridiculed figure of his era, principally by the cartoonist James Gillray (who, by dint of serendipity, we shall hear more of later).

Cross back over Bloomsbury Way and go down Southampton Place then back via Barter Street. On the corner here is Swedenborg House home of the Swedenborg Society named after the eponymous Emanuel (1688 – 1772), Swedish Philosopher, Inventor and general renaissance man.

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Another great polymath is recognized with a blue plaque at no.3 Russell Chambers on the conjunction of Bury Place and Galen Place. Bertrand Russell (1872 – 1970) lived in a flat here during the 1910’s. Best known as a philosopher and mathematician (and a combination of the two) Russell won the Nobel Prize for Literature in 1950 (something I was previously unaware of).

On Bloomsbury Way again we pass the Pushkin House, home of Russian culture in London. This is named of course after the great Russian poet, Alexander Pushkin (1799 – 1837), who is alleged to have fought around 29 duels, the last of which, against his wife’s reputed lover (and brother-in-law) resulted in his premature demise.

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Further along is St George’s Church, the sixth and last of the London churches designed by Nicholas Hawksmoor and completed in 1730. The stepped tower is influenced by Pliny the Elder’s description of the Mausoleum at Halicarnassus (one of the seven wonders of the ancient world), and topped with a statue of King George I in Roman dress. Its statues of fighting lions and unicorns symbolise the recent end of the First Jacobite Rising. Continuing the earlier Suffragette theme, this was where the funeral of the martyr to the cause, Emily Davison, was held in 1913.

That just leaves the remaining streets between Bloomsbury Way and Great Russell Street before we get to the two museum stops. So after Museum Street, Coptic Street, Willoughby Street, Stedham Place and Gilbert Place we arrive on Little Russell Street, home to the Cartoon Museum. This was opened in 2006 as a venue dedicated to the celebration of British cartoon and comic art from the 18th century to the present day. A visit to the upper floor is recommended to anyone who recalls the glory days of the Beano, Dandy, Beezer, Sparky, Cor !, Whizzer & Chips, the Victor and perhaps slightly younger aficionados of Viz and 2000 AD.

Current exhibition (to 17 January 2016 so be quick) is entitled Gillray’s Ghost and looks at the work of the aforementioned 18th and early 19th century political cartoonist, James Gillray (1756 – 1815) and his influence on his contemporary equivalents such as Steve Bell and Martin Rowson.

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This brings us finally to the British Museum which I obviously don’t have space to do justice to here so I’m just going to leave you with a selection of images, mainly of artefacts relating to my current favourite ancient civilisation, the Assyrian Empire (approximately 1900 to 612 BCE). Warning: unfortunately some animals were harmed in the making of these.

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