Day 76 – King’s Road – Sydney Street – Sloane Avenue – Cadogan Square

For today’s expedition, just like Real Madrid, we’re getting stuck into Chelsea. Specifically, the area north of the King’s Road bounded by Sydney Street to the west and Sloane Street to the east. Away from the main thoroughfares it’s a relatively quiet mainly residential quarter equally comprised of streets of terraced houses (some of the most expensive in London) and large mansion blocks. There are plenty of high-end stores scattered in between and some impressive churches. Not quite such well-known names as last time as far as former residents go but some interesting characters nonetheless.

Once again the starting point is Sloane Square and this time we’re leaving via the north west corner, on Symons Street to be precise. This feeds into Culford Gardens continuing westward then we take a left turn down Blacklands Terrace onto the King’s Road. John Sandoe opened his eponymous bookshop here in 1957 with Félicité Gwynne, sister of the cookery writer Elizabeth David (who we shall meet again later).

A sequence of Lincoln Street, Coulson Street, Anderson Street and Tryon Street bring us to the eastern end of Elystan Place which on a western trajectory merges into Cale Street. The next run of streets occupy the space between that duality and the King’s Road. After Markham Street we have to backtrack along the King’s Road to visit Bywater Street and Markham Square. The latter is a prime example of the terraced housing in this part of town, immaculately maintained and with brightly painted exteriors.

No.47 Markham Square was the one-time residence of Dame Maud McCarthy (1858 – 1949), who was matron-in-chief of the British Expeditionary Force in France and Flanders during WW1. The square, unsurprisingly, also boasts a well-planted private garden.

The branch of Pizza Express at 152 King’s Road occupies the building known as The Pheasantry, which got its name from the business of one Samuel Baker who developed new breeds of oriental pheasants here in the mid-19th century. The Grecian-inspired architectural stylings, including caryatids and quadringa, were added in 1881 by the artist and interior decorator Amédée Joubert. From 1916, part of the building was used for a ballet academy run by the dance teacher Serafina Astafieva (1876–1934), great niece of Leo Tolstoy. Then in 1932, the basement became a bohemian restaurant and drinking club patronised by actors and artists such as Augustus John, Dylan Thomas, Humphrey Bogart, and Francis Bacon. The drinking club closed in 1966 after the death of the owner Mario Cazzini, and the building was converted into apartments and the basement into a nightclub. The nightclub went on to host early gigs by Lou Reed, Queen and Hawkwind. The 1972 gig by Queen, which had been intended as a showcase for the band, did not go well. One attendee remembered that the band were “unpolished” and since the venue was mainly a disco, “once the disco had stopped and Queen went on everyone went to the bar.” (Oh, happy days). The Pheasantry name lives on under Pizza Express in the form of a basement jazz and cabaret venue.

To the west of The Pheasantry we turn north on Jubilee Place then return via Godfrey Street and Burnstall Street. The latter was once home to actress Diana Dors (1931 – 1984). Britain’s answer to the American “blonde bombshells” of the 1950’s was born in Swindon as Diana Mary Fluck. She made her screen debut in the British noir The Shop at Sly Corner (1947) in a walk-on role that developed into a speaking part. During the signing of contracts she changed her contractual surname to Dors, the maiden name of her maternal grandmother, later commenting “They asked me to change my name. I suppose they were afraid that if my real name, Diana Fluck, was in lights and one of the lights blew …”. Diana had an extremely varied career though she was rarely offered quality roles in films and by the 1970’s was restricted to a series of abysmal sex comedies and TV work. Her most acclaimed role was probably playing a Ruth Ellis-style character in 1956’s Yield To The Night. Dors had supposedly been close friends with Ellis, who was the last woman to be hanged in Britain, the year before the film was released. To say that Dors’ personal life was colourful doesn’t come close to covering it. At 10 Burnsall Street in the 1960s’ she hosted lavish “adult” parties that lasted until dawn, with guests including the Kray Twins, press coverage of which provoked the Archbishop of Canterbury Geoffrey Fisher to denounce Dors as a “wayward hussy” and her home as a “den of scandal”.

We make our way back up to Cale Street and then down to the King’s Road for the final time today taking in Danube Street, Astell Street, St Luke’s Street, Britten Street and Chelsea Manor Street (with a nod to Hemus Place). Britten Street once hosted the Anchor Brewery, which shut down in 1907, the site is now occupied by an office block called Anchor House but the brewery’s original arch (and anchor) remain in situ.

After that final incursion onto King’s Road we head north up Sydney Street and soon find ourselves in the splendid gardens attached to the imposing St Luke’s Church. St Luke’s, which was consecrated in 1824 and bears a striking resemblance to King’s College Chapel in Cambridge, is regarded as one of the first Neo-Gothic churches to be built in London. The nave, at 60ft in height, is the tallest of any parish church in the capital and the tower reaches a height of 142 feet. The architect was James Savage, one of the foremost authorities on medieval architecture of his time. Charles Dickens was married here on 2nd April 1836 to Catherine Hogarth, eldest daughter of George, who was editor of ‘The Evening Chronicle’ in which Dickens’ Sketches by Boz appeared. The large burial ground which surrounded the church was converted into a public garden in 1881, the gravestones being placed to form a boundary wall.

After visiting the church we continue north on Sydney Street up to Fulham Road then immediately make a loop down Bury Walk and up Pond Place. After heading east about a hundred metres on Fulham Road we turn right onto Elystan Street then right onto Ixworth Place to complete a circuit round the Samuel Lewis Trust Dwellings. Samuel Lewis was born in Birmingham in 1837. He began work at 13 and in due course became a salesman of steel pens, then opened a jeweller’s shop, and finally entered the money-lending business, becoming the go-to money-lender for most of Britain’s aristocracy. When he died, in London in 1901, he left an endowment of £670,000 to set up a charitable trust to provide housing for the poor, a huge sum at the time and one that equates to £30 million at today’s values. The estate in Chelsea was the second of eight to be built between 1`910 and the start of WW2.

We circle back to Elystan Street via Marlborough Street then turn south past one of many parades of tastefully presented shops.

If you look closely you’ll see that the middle emporium is called Chelsea Green Shoe Repairs. In all innocence I initially took this to be a pitch for ecological credibility; however when I reached to the nexus of Cale Street and Elystan Place a short distance further south I realised that there is an actual Chelsea Green. Though, to put it kindly, that nomenclature is somewhat stretching a point; my back garden is bigger (and greener) and that’s not saying much.

Forking left off of Elystan Place into Sprimont Place there is more distinctive architecture in the form of The Gateways, a 1934 housing development designed by Wills and Kaula that now has a Grade II Listing.

Sprimont Place emerges onto Sloane Avenue, on the east side of which stand two very different high rise residential buildings though both date from the 1930’s and were designed by the same architect, George Kay Green (1877 – 1939). The Art Deco eleven-storey Sloane Avenue Mansions was completed first, in 1933. Neighbouring Nell Gwynn House was finished four years later and has a Cubist design which utilises Egyptian, Aztec, and Mayan patterns and decoration. From the outset, each apartment had built-in central heating and there was a restaurant in the basement, a hairdressing salon, and a bar in the lobby. Above the main entrance, at the level of the 2nd floor, is a statue of Nell Gwynn, with a Cavalier King Charles spaniel at her feet. This is reputedly the only statue of any Royal mistress to be found in London.

We return to Elystan Street down Whitehead’s Grove then back to Sloane Avenue via Petyward. On the intersection of Makin Street with Sloane Avenue there is a combined Kwik-Fit and 24-hour petrol station which at first sight appears totally incongruous in this context. But then you realise that all those Chelsea tractors have to have somewhere to fuel up.

Rounding the garage we proceed north up Lucan Place to the point at which Fulham Road turns into Brompton Road and where stands Michelin House, one of the most distinctive and iconic buildings in the whole of the capital. Michelin House was constructed as the first permanent UK headquarters and tyre depot for the Michelin Tyre Company Ltd, opening for business in January 1911. The building was designed in an Art Nouveau style by one of Michelin’s employees, François Espinasse. It has three large stained-glass windows based on Michelin advertisements of the time, all featuring the Michelin Man aka “Bibendum” and around the front of the original building at street level there are a number of decorative tiles showing famous racing cars of the time that used Michelin tyres. When Michelin moved out of the building in 1985, it was purchased by publisher Paul Hamlyn and the restaurateur/retailer Sir Terence Conran who embarked on a major redevelopment that included the restoration of some of the original features. The new development, which opened in 1987, also featured offices for Hamlyn’s company Octopus Publishing, as well as Conran’s Bibendum Restaurant & Oyster Bar, and a Conran Shop. The dining experience is nowadays run by Chef Claude Bosi and the prices are not for the fainthearted.

From the east side of Bibendum we follow Sloane Avenue back south almost all the way to the King’s Road. Instead we turn east onto Bray Place then take Blacklands Terrace up to Draycott Place, passing the Spanish Consulate as we resume eastward.

St Mary’s Church on the corner of Drayton Terrace and Cadogan Street looks rather humdrum in comparison with St Luke’s but, as you would expect from a Roman Catholic house of worship, the glories are all interior. The original St Mary’s was built close to the present site in 1812 and was one of the first Catholic chapels in the country since the Reformation. The foundation stone of the present church was laid in 1877. It was designed by John Francis Bentley (1839-1902), an English church architect chiefly known for Westminster Cathedral. For many years the church served the spiritual needs of the Roman Catholic residents of the Royal Chelsea Hospital. One of the special features of the interior is the hanging rood which has a figure of Christ, robed and crowned and the symbols of the four Evangelists.

From the church we head east on Cadogan Street into Cadogan Gardens then take a right into the southernmost section of Pavilion Road which is the area’s home of al- fresco dining and is one of the few places I’ve seen so far making any effort to prepare for the forthcoming Coronation.

Having completed the full circuit of Cadogan (private of course) Gardens we return to Draycott Place and proceed west to the southern end of Draycott Avenue.

Flat 14, Avenue Court on Draycott Avenue was home between 1949 and 1955 to the New Zealand-born reconstructive surgeon, Sir Archibald McIndoe (1900 – 1960) who is feted for his work with seriously burned aircrew of the RAF during WW2. The painting below was done by artist Anna Zinkeisen in 1944 and depicts McIndoe operating at the Queen Victoria Hospital in East Grinstead.

We wend our way northward to the east of Draycott Avenue taking in Rawlings Street, Rosemoor Street, Denyer Street to reach today’s pub of the day, The Admiral Codrington on Mossop Street. The pub is named after Sir Edward Codrington (1770 – 1851) who served in the Battle of Trafalgar and the Battle of Navarino (Greek war of independence). As a consequence of the ships under his command destroying the Turkish and Egyptian fleets in the latter engagement, Codrington is a popular figure in Greece. His reputation in this country however is tarnished by the fact that he and his siblings inherited a slave plantation in Antigua from their uncle. The other two pubs named after him, in Coventry and south-east London, have both closed and I suspect, if this remains open, it may need to do so under a different name in future. In any event I enjoyed my Chicken Milanese sandwich and half a Madri.

The pub faces onto an empty 4 hectare lot that was formerly the site of the John Lewis Clearing Depot which was built in the 1930’s. John Lewis closed the depot in 2010 and acquired permission to redevelop the site a year later, however, according to the bar staff, the building was only demolished about 18 months ago. It is reported that Mike Ashley (Sports Direct) was behind two companies that acquired the site from John Lewis for £200m in 2015. There is little sign of any construction work going on at the moment. Anyway, after leaving the pub we swing round Ives Street and drop onto Donne Place where maverick inventor Sir Clive Sinclair (1940 – 2021) lived at no.32 from 1982 to 1987, a period that covered both the heyday of the ZX Spectrum home computer and the unfortunate failure of the Sinclair C5 electric vehicle.

From Donne Place we visit Bulls Gardens and Richard’s Place on the way to Milner Street. We then traverse between Milner Street and Walton Street on First Street, Hasker Street and Ovington Street. No.10 Milner Street, which is also known as Stanley House, was built in 1855 in an Italianate style built by the Chelsea speculator John Todd for his own occupation. From 1945 it was home to the interior designer Michael Inchbald and his wife Jacqueline, who founded the Inchbald School of Design in the basement in 1960. The house was Grade-II listed in 1969, an honour it shares with the other Stanley House in the area, at 550 King’s Road (which is for another day).

No launderette of the day this time (unsurprisingly) so we’ll have to make to do with the Elite Dry Cleaners at the top of Ovington Street. Come on you Reds !

Round the corner on Walton Street, the building at No. 1a started life as a school then became a magistrate’s court and finally a private mansion. In 2018 it was sold for over £50m following the death of the previous owner Canadian cable TV mogul David Graham, who had infuriated neighbours by submitting plans to triple its size by digging down 50ft to create a four-storey basement with 45ft pool, hot tub, sauna, massage room, ballroom, covered courtyards, staff accommodation, parking and car lift. The proposal was thrown out by Kensington and Chelsea council.

After looking in on Lennox Gardens Mews we navigate the loop that is Lennox Gardens and arrive at St Columba’s Presbyterian Church on Pont Street. The Church of Scotland originally built a kirk here in 1884 but that was hit by a German incendiary bomb in May 1941 and burnt to the ground. It took 14 years before the rebuilt church that we see today was open for worship. As you might expect the interior of the church is even more spartan than that of your typical C&E.

From Pont Street we make a tour of Cadogan Square, Clabon Mews and the northern section of Pavilion Road before returning to Milner Street. At 72 Cadogan Square there is a blue plaque commemorating the war correspondent and writer , Martha Gellhorn (1908 – 1998). Gellhorn met Ernest Hemingway during a 1936 Christmas family trip to Key West, Florida. Gellhorn had been hired to report for Collier’s Weekly magazine on the Spanish Civil War, and the pair decided to travel to Europe together. They celebrated Christmas of 1937 in Barcelona then, moving on to Germany, she reported on the rise of Adolf Hitler. In the spring of 1938, months before the Munich Agreement, she was in Czechoslovakia. After the outbreak of World War II, she described these events in the 1940 novel A Stricken Field. The same year she married Hemingway. Subsequently, Gellhorn reported on the war from Finland, Hong Kong, Burma, Singapore, and England. In June 1944, she applied to the British government for press accreditation to report on the Normandy landings; her application, like those of all female journalists, was denied. So, posing as a nurse she got herself onto a hospital ship where she promptly locked herself in a bathroom. Consequently, she was the only woman to land at Normandy on D-Day, becoming a stretcher-bearer for the wounded. A year later she and Hemingway divorced.

Final church of the day is St Simon Zelotes on the corner of Milner Street and Moore Street. This was designed by Joseph Peacock in the High Victorian tradition and completed in 1851. The church is named for Simon the Zealot, one of the less well-known of Jesus’s apostles. Very little of substance seems to have been recorded about Simon. He is variously reported as having been martyred by either crucifixion or being sawn in half but other accounts have him dying peacefully in his sleep. Despite this obscurity he is regarded as a saint by nearly all the major Christian faiths.

Final street of the day is Halsey Street, which also hosts a final blue plaque. I mentioned Elizabeth David (1913 – 1992) right and the start of this post and mentioned that we’d be returning to her later. Well, here she is at no. 24 where she lived and worked from 1947 until her death. Before she settled down to become one of the most influential cookery writers of the 20th century David had an eventful personal life. In the 1930s she studied art in Paris, became an actress, and ran off with a married man with whom she sailed in a small boat to Italy, where their boat was confiscated. They reached Greece, where they were nearly trapped by the German invasion in 1941, but escaped to Egypt, where they parted. She then worked for the British government, running a library in Cairo. After returning to England, she published her first cookery book, A Book of Mediterranean Food, in 1950 when rationing was still in force and many of the ingredients she championed were unavailable. Nonetheless, the book was a success and she went on to write seven more over the next three and a half decades becoming a major influence on British cooking, both domestic and professional. 

Day 75 – King’s Road – Flood Street – Royal Hospital Chelsea

Continuing where we left off last time, today’s journey takes us west and south from Sloane Square into the area tucked in between the King’s Road and the Chelsea Embankment. A good proportion of this is taken up by the Royal Hospital Chelsea and its grounds, a visit to which concludes this outing. Before then we’ve got plenty else to cover including Chelsea Old Town Hall, Chelsea Physic Garden and a wealth of literary connections.

We start out from Sloane Square tube station again and head westward through the square and onto King’s Road. King’s Road derives its name from its function as a private road used by King Charles II to travel to Kew. It remained a private royal road until 1830. In the 1960’s it became synonymous with Mod culture and Swinging London and although its glory days are behind it now it remains one of the capital’s most fashionable shopping areas.

Immediately to the south is Duke of York Square, a retail quarter developed by Cadogan Estates after purchasing the site from the MOD in 1998. It includes one of the largest European stores of fashion retailer, Zara amongst its 33 outlets.

Beyond the square, the building known as the Duke of York’s Headquarters is now home to the Saatchi Gallery. The building was completed in 1801 to the designs of John Sanders, who also designed the Royal Military Academy Sandhurst. It was originally called the Royal Military Asylum and was a school for the children of soldiers’ widows. In 1892 it was renamed the Duke of York’s Royal Military School. In 1909, the school moved to new premises in Dover, and the Asylum building was taken over by the Territorial Army and renamed the Duke of York’s Barracks. The Duke of York in question being Frederick, second son of George III, the so-called “Grand Old Duke of York” and Asylum used in its archaic sense of “sanctuary or refuge”. Saatchi moved his gallery here in 2008 having leased the building from Cadogan Estates. It’s probably the only major Art Gallery in London I’ve never visited, having no wish to patronise a vanity project of Charles Saatchi, a man who will have one or two things to answer for come judgement day. And as it’s currently between exhibitions I have an excuse for not rectifying the omission.

Having returned to King’s Road we take the next left, Cheltenham Terrace which runs down to Leonard’s Terrace and then head back up on Walpole Street. Next up on the south side is the grand and leafy Royal Avenue, an open-ended square with a clear view of Chelsea Hospital in the distance. No.29 was once home to the American theatre and film director Joseph Losey (1909 – 1984) who relocated to the UK in 1953 having been blacklisted by Hollywood. Unlike many of the victims of the McCarthyism, Losey had actually been a member of the American Communist Party. His number was up once RKO pictures, where he has under contract, was bought by Howard Hughes. Once in the UK, Losey worked on everything from crime features to melodrama to horror before achieving major critical and commercial success with a trio of films scripted by Harold Pinter, The Servant (1963), Accident (1967) and The Go-Between (1971). He died here in 1984, four weeks after completing his final film.

Back on St Leonard’s Terrace at no.18 is a Blue Plaque commemorating the first of the literary icons we’ll be encountering today, Abraham “Bram” Stoker (1847 – 1912). Stoker’s fame largely rests upon his authorship of the classic gothic horror tale Dracula which was published in 1897. I would imagine, like me, you’d be hard pushed to name any of his other novels. Born in Dublin, Stoker moved to London following his marriage in 1878 and for 27 years worked as business manager of the Lyceum Theatre which was in the charge of the most famous actor of the day, Henry Irving. The precise sources of inspiration for Dracula are still subject to debate but prior to writing the novel he had spent several years researching Eastern European folklore and mythology though he never actually visited that part of the world.

Returning to the King’s Road and continuing west we arrive at Wellington Square which despite an absence of plaques also has a number of literary ghosts. A. A. Milne, creator of Winnie-the-Pooh, lived there in the early 1900s as well as the notorious occultist Aleister Crowley in the 1920s. It is also considered to be the location Ian Fleming had in mind when he described his creation, James Bond, as living “in a ground floor flat in a square lined with plane trees in Chelsea off the King’s Road”.

Next southward turning is Smith Street with yet another figure honoured at no.50. P. L. Travers (1899-1996) lived here for seventeen years and the house inspired the depiction of the Banks’s family home in the Disney film of her most famous creation, Mary Poppins. Travers was born as Helen Lyndon Goff in Queensland, Australia. She took the stage name Pamela Travers when she started an acting career in her late teens. After a few years, she gave up acting for journalism and moved to England in 1924. Ten years later she wrote Mary Poppins, the first in a series of eight books featuring the eponymous “supernanny”; the last of which she wrote in 1988 at the age of 1989. Under financial duress, Travers eventually ceded to years of pressure and sold the film rights to Disney. She famously disapproved of the musical which was released in 1964, particularly the animated sequences. The relationship between Travers and Walt Disney was itself given a cinematic treatment in 2013’s Saving Mr Banks.

From Smith Street we cut along Smith Terrace to Radnor Walk and head back to King’s Road again. Just around the corner is the Chelsea Potter Pub which dates from 1842 and was reputedly a regular haunt of Jimi Hendrix and The Rolling Stones in the late sixties. It has added resonance since the appointment of Graham Potter as manager of Chelsea F.C of course, and the beard gives the connection added flavour. Though by the time this is published…

Beyond the pub we turn left again down Shawfield Street then west along Redesdale Street emerging on Flood Street opposite the Hall of Remembrance which is attached to Christ Church (which we will come to in due course).

From here we head north back to the King’s Road for just about the final time today. I took the photo below left on account of the splendid tiling. Today this building houses an antique centre but back in the sixties it was home to the Top Gear fashion boutique.

On the other side of the northern end of Flood Street is the Chelsea Methodist Church, the only church with an entrance on King’s Road. The original 1903 building was badly damaged in a 1941 bombing raid; the present church formed part of a 1983 redevelopment and was opened by Cardinal Hume the following year.

Almost the last stop on King’s Road is Chelsea Old Town Hall which it was a real treat to visit. So many of these old municipal buildings are inaccessible to the public these days. Surprisingly, there seems to be a dearth of information about the buildings despite their Grade II listed status. The oldest part of the complex is the Vestry Hall to the rear which was designed by J.M Brydon in 1886. The north elevations that front onto King’s Road are part of the 1906-08 extension by Leonard Stokes constructed in a neo-classical style. The building ceased to be a seat of local government in 1965 when the boroughs of Chelsea and Kensington merged. The Brydon building houses the Kensington and Chelsea Register Office which has hosted the weddings of, amongst others, Marc Bolan and June Child (1970), Judy Garland and Mickey Deans (1969), Roman Polanski and Sharon Tate (1968) and James Joyce and Nora Barnacle (1933). One section of the Stokes building is taken up by Chelsea Library. Many of the other rooms are hired out for functions and events, including the splendid main hall with its original Victorian wall paintings depicting representations of Art, Science, History and Literature. Unfortunately, I haven’t been able to discover who was responsible for creating these. Even if you don’t need to (and are qualified to do so) it’s also worth visiting the Gents’ toilet (see picture).

Just beyond the Town Hall is a building which dates back to 1722 and was originally the Six Bells pub (as evidenced by the eponymous sign that remains on the outside) which backed on to the bowling green of the local bowls club. Both pub and bowling green have now been consumed by the Ivy Chelsea restaurant which has gotten itself a little too excited about the upcoming Valentine’s Day.

We finally say goodbye (for now) to the King’s Road via Oakley Street then veer left down Margaretta Terrace to reach Phene Street which runs east into Oakley Gardens. At no.33 Oakley Gardens there’s another literary commemoration, somewhat more obscure this time. George Gissing (1857 – 1903) wrote 23 novels in all the most highly regarded of which are Demos, New Grub Street and The Odd Women. Gissing’s relationships with women don’t seem to bear much scrutiny. He parted from his first wife Nell on account of her chronic ill-health then, subsequent to her death in 1888, he married Edith who he also separated from, nine years later, blaming her uncontrolled violent rages. Five years further on, Edith was certified insane and confined to an asylum. Before then, Gissing had met Gabrielle Fleury, a Frenchwoman with whom he lived until his death. Gabrielle eventually outlived him by fifty years.

Exiting Oakley Gardens onto Chelsea Manor Street we return northward past the NHS Day Clinic in what was formerly the Violet Melchett Infant Welfare Centre named after Violet Mond, Baroness Melchett (1867 – 1945) and financed by her husband, politician and businessman, Sir Alfred Mond.

Further up the street we make a quick detour onto Chelsea Manor Gardens for a view of the facade of the Vestry Hall before turning back south.

Flood Walk takes us back to Flood Street and after dropping in on Alpha Place we head east on Redburn Street. Unfortunately there’s no time to take in a pub of the day today as there a fair number of fine looking hostelries in the area such as The Cooper’s Arms on the corner of Flood Street and Redburn Street.

Redburn Street leads into Tedworth Gardens and the adjacent Tedworth Square. Our next literary icon was a one-time resident at no.23 in the latter. Mark Twain (1835 – 1910) was the pen name of Samuel Langhorne Clemens described in his New York Times obituary as “the greatest humorist the United States has produced” and by William Faulkner as “the father of American literature”. Twain is best known, of course, for The Adventures of Tom Sawyer (1876) and The Adventures of Huckleberry Finn (1884) which he wrote at his family home in Hartford, Connecticut. The two years he spent in England came after the conclusion of a year long around-the-world lecture tour which he undertook in 1895 as a means to pay off creditors, having lost most of the money earned through his writing by unsuccessfully investing in new inventions and technology, particularly the Paige typesetting machine

Next we make our way back west to the actual Christ Church following Ralston Street, Tite Street, Christchurch Street, Christchurch Terrace and Caversham Street. The church was consecrated in 1839 having been built to a design by Edward Blore (1789-1879). It was intended as a church for the many servants and tradesmen who worked in and for the grand houses of Belgravia and as such was designed to accommodate the maximum number of people at minimum cost. The construction cost was just over £4,000, paid for by the Hydman Trust, the Hydman family having originally made their money from sugar plantations in the West Indies. Philanthropy really does begin at home.  In 1843, a new school was built on land donated by Lord Cadogan, directly opposite the church. The school still exists as a Church of England Primary School.

From the church we make a full circuit of St Loo Avenue, Cheyne Gardens, Cheyne Walk and the southernmost section of Flood Street. The literary connections continue unabated with a blue plaque commemoration the death of novelist George Eliot (1819 – 1880) at no.4 Cheyne Walk. George Eliot was the pen name employed by Mary Ann Evans, born the third child of a West Midlands’ mill owner and his wife. Of the seven novels she wrote, The Mill on the Floss (1860), Silas Marner (1861) and Middlemarch (1871–72) are probably the most celebrated (or at least the most studied by English Lit. undergraduates).  Following the success of her first complete novel, Adam Bede, public curiosity as to the author’s identity and the emergence of a pretender to the authorship, one Joseph Liggins, led Mary Ann to acknowledge that she stood behind the pseudonym George Eliot. She continue to publish her novels under the pen name nonetheless. From 1854 to 1878 Mary Ann lived with the philosopher and critic George Henry Lewes (1817–78). Although Mary considered that she and Lewes were effectively husband and wife, he was in fact already married to Agnes Jervis, although in an “open relationship”. In addition to the three children they had together, Agnes also had four children by Thornton Leigh Hunt, the first editor of the Daily Telegraph. It was her association with Lewes, in addition to her denial of the Christian faith, that led to her burial in Highgate Cemetery rather than Westminster Abbey.

No.72 Flood Street, The Rossetti Studios, is a Grade II listed building containing artist studios which was built in the Queen Anne Revival style in 1894 to a design of Edward Holland. The studios were named after pre-raphaelite artist, Dante Gabriel Rossetti whose own studio was based nearby.

After returning to Christ Church we head down Christchurch Street to Royal Hospital Road for a visit to Chelsea Physic Garden. The garden occupies four acres beside the Thames and was established in 1673 by the Worshipful Society of Apothecaries as a base for conducting plant finding expeditions in surrounding areas and teaching their apprentices to identify plants, both those that might cure and those that might kill. The river access allowed plants arriving from around the world to be introduced to the British Isles via the Garden and its international reputation was quickly established through a global seed exchange scheme, known as Index Seminum, which it initiated in the 1700s and continues to this day. The Garden’s unique microclimate and location has facilitated the cultivation of plants not typically found outside in the UK. Early February is obviously not the best time to visit but there was still plenty of green stuff on show.

Beyond the garden we turn right onto Swan Walk which runs down to Chelsea Embankment. Round the corner at no.9 Chelsea Embankment is a rare non-literary related blue plaque. This one is for George Robinson, Marquess of Ripon (1827 – 1909), politician and Viceroy of India. Robinson was actually born at 10 Downing Street, the second son of F. J. Robinson, 1st Viscount Goderich who was Prime Minister at the time (though his premiership only lasted 144 days; I studied that period of history at A level and have no recollection of his tenure. Still, compared with Liz Truss it’s quite a stellar effort). Robinson junior’s political career was an extensive one; he served as a member of every Liberal cabinet between 1861 and 1908. In between administrations he managed to fit in a four year stint as Viceroy of India (1880 -84) during which time he did at least attempt to get progressive legislation to improve the rights of native Indians passed.

Turning off the Embankment onto Tite Street we immediately double back along Dilke Street for a short glimpse of the ill-named Paradise Walk. My partner, artist Susan Eyre, featured this in an ongoing art project based around unlikely places which include Paradise in their name.

We return to Tite Street to take us back to Royal Hospital Road. The imposing red brick terrace on the west side of the street is home to three more blue plaques more or less adjacent to each other. At no. 38 we have Lord Hayden-Guest (1877 – 1960), author, journalist, Labour politician and physician; at no.34 Oscar Wilde (1854 – 1900) dramatist and celebrated wit; and at no.30 composer, Philip Arnold Heseltine a.k.a Peter Warlock (1894 – 1930). We’ve had an overload of blue plaques today so just a few words about each of these three. Haden-Guest was once described by Bertrand Russell as “a theosophist with a fiery temper and a considerable libido”. Oscar Wilde wrote both The Picture of Dorian Gray and The Importance of Being Earnest while living at no.34 and it was from here he left to serve his jail term for ‘gross indecency’ in 1895. Peter Warlock died here from coal gas poisoning; the inquest returning an open verdict. Previous to this he had penned the following words as his own epitaph :

Here lies Warlock the composer
        Who lived next door to Munn the grocer.
    He died of drink and copulation,
        A sad discredit to the nation.

We cross over Royal Hospital Road and loop round the two sections of Ormonde Gate and we arrive at the West Road entrance to Royal Hospital Chelsea ready for our tour conducted by a Chelsea Pensioner. Guide, John, definitely looks the part with his grey whiskers and multi-bemedalled red tunic. He also knows his stuff as he regales us with facts and stories for at least half an hour longer than the scheduled 90 minutes. To deal with the history first: in 1681 Charles II issued a royal warrant for the building of the Hospital to provide for elderly and injured soldiers, Sir Christopher Wren was commissioned to design and erect the building and Sir Stephen Fox was charged with securing the necessary funds.  In 1692 work was finally completed and the first batch of Chelsea Pensioners, 476 in total, were in residence by March of that year. By the time of completion, Charles II had died (in 1685) and his successor James II had been deposed in “the glorious revolution” of 1688. This is why the Latin inscription on the exterior of the main building, composed by Wren himself, translates as ‘For the succour and relief of men broken by age and war, started by Charles II, extended by James II and completed by William and Mary, King and Queen 1692’.

Upgrades to the accommodation, the ‘berths’ – were enlarged in 1954-55 and again in 1991 to resize them from 6ft square to 9ft square, mean that the modern day capacity is only 300 pensioners. Due to an annual death rate of around 10% there are always slightly fewer than that; currently 278 of which 16 are women. To be eligible for admission as a Chelsea Pensioner you must be a former non-commissioned officer or soldier of the British Army who is over 66 years of age, “unencumbered by spouse” and “of good character”.

Since 1913 the Royal Horticultural Society’s Chelsea Flower Show has been held annually on the South Grounds, between Figure Court and the Chelsea Embankment.

Tour over, we leave the RCH via Light Horse Court and the East Road entrance. Crossing Royal Hospital Road, we make a circuit of Franklin’s Row, Turks Row and Sloane Court West emerging back on Royal Hospital Road opposite the Margaret Thatcher Infirmary, a state of the art care home and hospice for Chelsea Pensioners, designed by Sir Quinlan Terry and opened in 2009.

From here it only remains to work our way back to Sloane Square tube station via Sloan Court East, Lower Sloane Street and Sloane Gardens.