Day 48 – Victoria Street – Buckingham Gate – Broadway

A relatively short walk this one, especially since the first part of it actually took place at the end of Day 47. That took us from Victoria Station back up to the southern side of Buckingham Palace then down Buckingham Gate and a westward loop ending up on Palace Street. Day 48 proper takes us east from that point covering most of the area around St James’ Park tube station between Birdcage Walk and Victoria Street.

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Just outside the perimeter of the small triangular garden across Buckingham Palace Road from Victoria Station stands a statue of Marshal Ferdinand Foch (1851 – 1929) the French general who led his country’s forces in World War One and was appointed as Allied Commander-In-Chief in March 1918. Foch was an advocate of imposing the most draconian of peace terms on the defeated Germans; far more so than those eventually agreed in the Treaty of Versailles. As the treaty was being signed he declared “This is not a peace. It is an armistice for twenty years”. Although those words proved prophetic historians generally tend towards the view that the rise of National Socialism can be in large part attributable to the armistice terms being overly harsh rather than too lenient as Foch believed. Foch was made a British Field Marshal 1919.

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Heading north up Buckingham Palace Road we cross over Victoria Street and then turn left down Eaton Lane. On reaching Beeston Place we turn right then right again to arrive at Victoria Square. The small garden at the heart of this contains a statue of the eponymous monarch, depicting her in her younger days. This was commissioned from the artist Catherine Anne Laugel and installed in 2007. Former residents of the square include Ian Fleming, Michael Portillo and Mike Oldfield. Casino Royale, the first of Fleming’s Bond novels, was published shortly after he took up residence.

On the other side of Victoria Square we cross over Buckingham Palace Road again and enter one of the many new retail and leisure developments that have sprung up in this area in recent times. This one is constructed around Sir Simon Milton Square, named after the one-time leader of the Tory-run Westminster City Council. The artwork below is Places for Nova by Saad Qureshi and was installed in 2017.

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At the north end of the square we emerge onto Bressenden Place and, having done an eastward circuit of this, continue north into Warwick Row. An alleyway at the end leads into Palace Place which links to Palace Street. Here we turn right and then left up Stafford Place and then another alleyway brings us back onto Buckingham Palace Road. Turn right up to the south eastern corner of Buck House and then right again down Buckingham Gate. At no.15 is a blue plaque commemorating the Diplomat, Poet, Traveller and Founder of the Crabbett Park Stud, Wilfrid Scawen Blunt (1840 – 1922). Blunt was married to Lady Anne Noel, the daughter of Ada Lovelace and, therefore, granddaughter of Lord Byron, until his unabashed philandering led to their legal separation in 1906. The Stud which they had founded together in 1878 was stocked with the first Arabian horses to be brought to England.

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A little way further down is the High Commission of Swaziland which occupies a late 19th century building designed by Reginald Blomfield and featuring sculpture-work by Henry Pegram.

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We next make a left-turn into Wilfred Street then make a figure of eight involving that along with Catherine Place, Palace Street and Buckingham Place. We end up back on Palace Street just north of Westminster City School.

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We head back east from here along Castle Lane. The tenement blocks on either side of the street were originally built in 1882 to provide accommodation at the nearby Watney’s Stag Brewery (demolished in 1959). In more recent times the properties had been used as a homeless shelter but have stood empty since their purchase in 2010 by Land Securities. The original proposal to refurbish the blocks to provide 63 affordable homes as a quid-pro-quo for receiving planning permission for the conversion of a nearby office building into luxury flats has now been shelved and it looks likely that the Castle Lane properties will now be developed into upscale townhouses instead.

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At the eastern end of Castle Lane, on the corner with Buckingham Gate, stands Westminster Chapel. The chapel was opened in 1865 as a Congregational church with seating capacity for 1,500. It was designed by William Ford Poulton (1822 – 1901) in a Lombard Romanesque Revival style. The auditorium is almost oval-shaped with two tiers of galleries. The church is now part of the evangelical Commission family of churches which means, as explained to me by the young man who kindly let me into the building for a look around, that they follow the text of the Bible very closely and have a far less liberal approach to matters such as the role of women than moral capitulators like the Baptists. This statement of one of their key values will give you an idea of what lies behind the happy-clappy outward persona “A church where Biblical family life is highly valued, where husband and wife embrace male servant leadership and joyful female submission, where godly parenting is taught and practised, and where the special value of singleness and its unique opportunities are affirmed.”

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Continuing down Buckingham Gate we reach the St James’ Court hotel, the work of Victorian architect C.J Chirney Pawley, which first opened its doors in 1902. In 1982 the hotel was acquired by the Indian Hotels Company Ltd (now Taj Hotels Resorts and Palaces) owned by the Tata family who established the Taj Mahal Palace Hotel in Bombay (also at the turn of the 20th century) and who are best known in this country for acquirng both the remnants of British Steel and the Tetley tea company.

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Beyond the hotel we make a right turn down Spencer Street and then, blocked off by another construction site, take Seaforth Place down on to Victoria Street. Head west initially as far as the junction with Palace Street and then double back to the bottom of Buckingham Gate. On the corner here stands the Grade II listed pub, The Albert, built in 1862 by the Artillery Brewery and still in possession of its original Victorian façade. It was built on the site of an earlier pub named The Blue Coat Boy after the nearby charity school (which we shall come to very shortly).

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The Bluecoat (or Blewcoat) School was founded in 1688 by voluntary subscription as a charity for the education of the male offspring of the poor. It moved into purpose-built premises in the apex of Brewer’s Green, Caxton Street and Buckingham Gate in 1709 and from five years after this date also began to teach girls. It remained in use as a school until 1926 and was purchased by the National Trust in 1954. In 2013 fashion designer Ian Stuart was granted permission to refurbish the interior to house his bridal and evening gown collections.

Having circumnavigated the old school building we continue to retrace our steps up Buckingham Gate before shifting east into Petty France. The name is thought to derive from the settlement of French Huguenot refugees in the area in the 17th century (Petty being a corruption of Petit). From the second half of the 18th century until 1925, when the earlier name was restored, the street was called York Street after the son of George II (the Duke of York). On the north side is the exceptionally unattractive rear side of the Wellington Barracks (though not altogether out of keeping with some of the other buildings nearby).

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Once past the barracks we turn south down Vandon Passage which leads into Vandon Street which in turn curves round back to Caxton Street. From here we head east as far as Palmer Street then turn north back to Petty France, emerging opposite the equally unlovely building that houses the Ministry of Justice and Crown Prosecution Service.

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We carry on going east to the roundabout from where Petty France turns into Broadway and where St James’ Park tube station sits beneath the monolithic 55 Broadway. This imposing and, frankly, totalitarian-looking product of the late 1920’s was designed by Charles Holden (1875 – 1960) and won him the RIBA London Architecture Medal in 1931. It was built as a new HQ for the Underground Electric Railways Company (UERL) of London the forerunner of London Underground which still occupies the building today (they were due to move to new premises in the Olympic Park in 2015 but this still hasn’t happened at the time of writing). When it was completed the building was the tallest office block in the city. The sculptural artwork on the building’s exterior includes works by Eric Gill and Jacob Epstein (1880 – 1959). At the time it was the latter’s prominently sited figures, Day and Night, which provoked public opprobrium and a newspaper campaign that almost cost the UERL managing director, Frank Pick, his job. In the end the naked figure on the Day sculpture had 1.5 inches taken off his little chap and the outcry eventually died down. Ironically, these days it is Gill’s work that causes consternation in the light of posthumous revelations about his public life. 55 Broadway was originally Grade II listed in 1970 and upgraded to Grade I in 2011.

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We cut through the building and emerge the other side on St Ermin’s Hill which leads out onto the north-south running stretch of Broadway (about as far removed from its New York namesake as you can imagine). Turning right back onto Caxton Street we pass the St Ermin’s Hotel, nicely done out for Christmas.

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And a short way further on come to the Caxton Hall which was designed in 1878 by William Lee and F.J Smith and built using red brick and pink sandstone. It was originally the Westminster Town Hall on opening in 1883 and has since hosted a variety of political and artistic events. It was also the registry office of choice for high society and celebrity civil weddings from the end of WWII up to 1979. Those who married there during that period included Elizabeth Taylor (to husband no.2 Michael Wilding), Donald Campbell (twice), Diana Dors (twice), Peter Sellers (to Miranda Quarry), Orson Welles, Roger Moore, Joan Collins, a couple of Beegees and Anthony Eden (to Winston Churchill’s niece). Going back to the political events these ran the full gamut from the first Pan-African Conference in 1900 and the hosting of the Suffragette Movement’s “Women’s Parliament” to the founding of the National Front in 1967. In light of all this it seems a bit feeble that the green plaque outside merely refers to the fact that Churchill made a few speeches here during the war. The building was redeveloped as apartments and offices in 2006.

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Take the bottom section of Palmer Street down to Victoria Street with a brief detour into Butler Place which is where the branch of Lloyds that holds my account is even though all the correspondence comes from Chelmsford. Heading east again on Victoria Street there is another massive ongoing development; this time if the former site of New Scotland Yard. The Met took up shop here in 1967 and bought the freehold of the building in 2008. Then in 2013 they announced that 10 Broadway would be sold and the force’s HQ would relocate to the Victoria Embankment where it had been situated from 1890 to the late sixties. The 10 Broadway site was bought by an Abu Dhabi investment group for £370m in 2014.

We circle round the site via Dean Farrar Street and Dacre Street before heading back up Broadway to where it merges into Tothill Street. Then we return south down Dean Farrar Street and resume going east on Victoria Street. As Westminster Abbey comes into view on our right we turn left into Storey’s Gate and nip into Central Hall Westminster for a very brief shuftie. CHW can lay claim to being the world’s first purpose-built meetings facility. It was constructed on the site of the former Royal Aquarium to a design of Lancester and Rickards opened in 1912. Funding came from the Wesleyan Methodist Church’s 20th century Fund set up to mark the 1891 centenary of John Wesley’s death. £250,000  was allocated to the building of a ‘monumental Memorial Hall’ that would not only house a worshipping congregation and the new Methodist headquarters  but would also be a meeting place for all people, regardless of religious persuasion. The Suffragettes met here in 1914, Mahatma Ghandi spoke in the Lecture Hall in 1932 and De Gaulle founded the Free French movement here in the 1940’s. Most famously it was the venue for the very first General Assembly of the United Nations in 1946 attended by representatives of 51 countries. Slightly less auspiciously it was where I sat a number of professional examinations back in the nineties.

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We circle round the CHW via Matthew Parker Street and end up back on Tothill Street where we take a westward turn past the Department of Work and Pensions.

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It’s starting to get dark now so we quickly turn north up Dartmouth Street and then east down the alley that is Lewisham Street to finish for the day back on Storey’s Gate. And that’s it for 2017 !

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Day 33 (part 1) – National Gallery – St Martin’s Lane – The Strand

Today’s walk starts out with a quick tour around the National Gallery then meanders up St Martin’s Lane to explore the streets in between Leicester Square and Covent Garden before heading east along the Strand and then wending its way back west through the streets adjacent to the north bank of the river. (There’s so much of note crammed into this part of town though that I’ve split this into two posts again).

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The National Gallery has its origins in the 1824 purchase for £57,000 of the banker, John Julius Angerstein’s, collection of 38 paintings to form the core of a new national art collection. In 1831 the King’s Mews on the north side of Trafalgar Square was chosen as the site for a permanent building to house this collection. The original architect was William Wilkins and construction was completed in 1838. The building wasn’t exactly garlanded with praise however and thirty years later another architect, E.M Barry, was asked to submit designs for a reconstruction. In the end this just resulted in an extension which included the now iconic dome. In 1907 five new galleries were built at the rear and a further extension on the north side was completed in 1975. 1991 saw the opening of the Sainsbury Wing on the west side; sponsored by the eponymous supermarket magnates and the inspiration for the Prince of Wales’ notorious “monstrous carbuncle” rant against modern architecture.

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Probably the most famous work in the collection (and certainly the one which prompts the most selfies) is Van Gogh’s Sunflowers though personally I prefer his Crabs (so to speak).

 

The following slideshow features a selection of the 3o paintings which the Gallery itself classes as highlights of the collection including Velazquez’s “Rokeby Venus”, Cezanne’s Les Grandes Beigneuses (immortalised as “the big bathers” in the Peter Cook and Dudley Moore sketch, still priceless after nearly fifty years – the sketch that is) and Turner’s The Fighting Temeraire subject of a recent episode of Melvyn Bragg’s excellent In Our Time programme on Radio 4 and due to appear on the new plastic £20 note when it arrives.

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Just about the only one of these artists I wasn’t previously familiar with is Paolo Uccello (1397 – 1475) who has instantly become my early renaissance artist of preference – partly because his work seems to eschew that era’s ubiquitous depictions of the Madonna and child. His rendering of Saint George and the Dragon is one of my three top picks from the works currently on show.

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Leaving the Gallery we head east along the north side of Trafalgar Square towards St Martin-in-the-Fields Church, running the gauntlet of two Yodas and one Imperial Stormtrooper.

St Martin’s  originated on this site in the late Norman era. That first church was built over in 1542 at the instigation of Henry VIII. His church was demolished in turn in 1721 and replaced by the current building designed by James Gibbs. In the 20th century St Martin’s has been at the forefront of the fight against homelessness as well as championing other social and humanitarian causes. It is also renowned for its programme of music concerts which dates back to the age of Handel and Mozart. This includes at least a couple of free (donation suggested) lunchtime recitals every week. Below you can see Russian pianist, Anna Schreider, limbering up for her performance of Tchaikovsky’s The Seasons which I popped back to listen in full ( a somewhat chastening experience for someone struggling to learn to play the wretched instrument).

A little way further up St Martin’s Place is a monument to Edith Cavell (1865 – 1915) the British nurse executed by a German firing squad during WW1 after aiding the escape of 200 Allied soldiers from occupied Belgium. The charge was treason even though Edith was not a German national and had also helped German soldiers escape fire – bastards !

Surprised to see Count Arthur Strong paying his respects.

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We continue up Charing Cross Road towards Leicester Square tube and then cut through Cecil Court. The fact that this prime location is still lined with independent vintage book and music shops implies that there is some kind of special arrangement going on with the rents – and long may that continue. At the turn of the 20th century Cecil Court earned the soubriquet Flicker Alley due to the number of businesses associated with the embryonic British Fil Industry that found a home here.

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Emerge on to St Martin’s Lane and turn left to arrive at one of the three theatres on the street, the Noel Coward Theatre. This one opened in 1903 and was designed by W.G.R Sprague for Sir Charles Wyndham; the same combination responsible for the Wyndham’s Theatre on Charing Cross Road which was completed four years earlier. It was originally (somewhat unimaginatively) known as the New Theatre, then in 1973 became the Albery Theatre and finally in 2006 was renamed in honour of the eponymous actor, playwright, director and flamboyant wit.

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On the other side of St Martin’s Court is the Grade II Listed Salisbury pub named after the three-time 19th century Prime Minister, Lord Salisbury. The pub is notable for its art nouveau interiors and was used in the 1961 film Victim starring Dirk Bogarde and Sylvia Sims; the first British feature to mention the word “homosexual”.

A few steps further south another branch of Browns Restaurants occupies what used to be the Westminster County Courts and across the road what was once the Green Man & French Horn pub is now a French restaurant of the same name.

Then on the west side it’s the second of those three theatres, the Duke of York’s. This was the first one built on St Martin’s Lane, in 1892, and was originally named the Trafalgar Square Theatre. The change of name, in honour of the future King George V, came just three years later along with a rather hasty re-opening. Between 1980 and 1992 the theatre was owned by Capital Radio before becoming part of the ATG estate.

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Opposite is the imposing London Coliseum (though not quite as imposing as the one in Rome), home of the English National Opera Company. The Coliseum opened in 1904 as the London Coliseum Theatre of Varieties having been designed by Frank Matcham for the impresario Oswald Stoll who intended it to be the “largest and finest music hall” of the age. Large it certainly was; its 2,359 seats mean it is still the largest theatre in London. At the time of construction it was the only theatre in Europe with lifts to its upper levels. In 1908 it apparently hosted a cricket match between Middlesex and Surrey (I’m still trying to get my head round that one). Then from 1931 onward it transitioned from a variety to a playhouse theatre and post WW2 housed successful runs of the likes of Annie Get Your Gun and Guys and Dolls. In 1968 the Sadlers Wells Opera Company moved in and then in 1974 changed its name to ENO. In recent times, despite many acclaimed productions, ENO has been struggling financially, mainly due to the pressures of trying to fill such a large auditorium. It’s probably also fair to say that it doesn’t have quite the same cachet for the traditional opera-going audience as the Royal Opera House. I know which I prefer, though there are times when I opera definitely sounds better if you can’t follow the words.

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At the bottom end of the street is the Chandos pub c.1839 which is distinguished by the mechanical statue of a barman opening a barrel perched on a balcony at the top of the building.

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We head back up St Martin’s Lane and cut right down Brydges Place – one of the narrowest alleys in London – into Bedfordbury (it’s just called that and that’s the only interesting thing about it).

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Cut back again down May Court and then head up to the top of St Martin’s Lane and take a right into New Row. Couple of pubs here that I used to frequent back in the day – the Roundhouse, whose address is actually 1 Garrick Street and which isn’t actually round, more of a semi-octagon and the White Swan (in the background below) occupying a Grade II listed building from the turn of the 18th century and which features in Dorothy L. Sayers’ Lord Peter Wimsey novel, Murder Must Advertise.

Next we turn southward down Bedford Street and arrive at the front entrance to St Paul’s, the Actors’ church, which we touched on previously in Day 30. The interior is filled with plaques commemorating a host of departed great British thespians as well as a memorial stone for Thomas Arne (1710 – 1778), the composer of Rule Britannia, who is buried here.

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Nxt up we turn right onto Chandos Place then again onto Agar Street. On the west side here stands Charing Cross Police Station. The core of this building was erected in 1831 as a new home for the Royal West London Infirmary which was then renamed Charing Cross Hospital. The hospital was extended several times over the next two hundred years and was used for the treatment of war casualties in both World Wars. When it became part of the NHS in 1948 it was as a teaching hospital but even in this guise it had outgrown the premises by the early sixties and in 1973 was relocated to a new hospital in Fulham that was ten years in the building. Strangely enough it kept the Charing Cross name. The Agar Street building remained vacant for many years until the Met took it over in the 1990s.

At the junction with the Strand we find Zimbabwe House. This was built in 1908 as the first headquarters of the British Medical Association. The architect was Charles Holden and the series of 18 8ft high naked figures that adorn the exterior were the (at the time) controversial  work of the sculptor Jacob Epstein (1880 – 1959).  The National Vigilance Association (a Victorian version of Mary Whitehouse’s NVALA) and the Evening Standard published their opposition to anyone having to see the sculptures, which caused people to flood into London to do just that. Artists and critics were equally vocal in support of Epstein and the BMA decided to withstand the pressure to remove the sculptures. However, in the 1930’s, the Rhodesian High Commission, which had bought the building in 1923, decided that the sculptures were no longer appropriate. Under the pretext that their protruding parts (including heads) were potentially dangerous the sculptures were hacked into the state you see below. After UDI in 1965, Rhodesia House, as it had been renamed, became merely a Representative Office with no official diplomatic status, until the triumph of Robert Mugabe’s Zanu-PF in 1980 and the country re-entry into the Commonwealth as Zimbabwe with fully recognized independent status.

Veer off west again to cover the length of William IV Street then double back and turn south down Adelaide Street to arrive on  the Strand opposite Charing Cross Station.

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Head east along the Strand before turning north again up the bottom section of Bedford Street then continue eastward along Maiden Lane. On the site of the Porterhouse craft beer emporium once stood the house in which our old friend John Mallord William Turner (1775 – 1851) was born.

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A short way further along Maiden Lane, Bull Inn Court leads down to the Nell Gwynne public house, built on the site of the Old Bull Inn and named after Charles II’s most infamous mistress of course. Had I known beforehand that this is one of the few pubs that still has a proper working jukebox I would definitely have gone in for a drink.

In 1897, William Terris, a well-known actor of the day, was murdered yards from the pub by a stage hand from the neighbouring Adelphi Theatre which is where we shall resume in part 2.

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Bobble hat, anorak and shorts – what were you thinking mate ?