Day 61 – London Bridge – Hanseatic Walk – Tower of London

I guess I should begin this post with an apology for raising false expectations because this won’t in fact be the last of these as predicted in the previous post. By the time I’d spent several hours at the Tower of London discretion became the better part of valour and I decided to leave the planned home stretch across Tower Bridge and back along the river to London Bridge for another time. Today’s excursion is therefore restricted to a short but interest-packed stroll across London Bridge from south to north, along the Hanseatic Walk to Southwark Bridge and then back east beside the river to the Tower of London.

Day 61 Route

The current, undeniably prosaic, London Bridge is a box girder affair that was completed in 1973, replacing a 19th century stone arch bridge that (as we all know) was dismantled block by block and shipped over Arizona. Though commonly-believed (and repeated by the Yeoman warders at the Tower) the story that the purchaser, Missourian oil millionaire Robert P. McCulloch, thought he was actually buying Tower Bridge is entirely apocryphal. There has been a bridge on this site since Roman times and up until 1729 (when Putney Bridge was constructed) it was the only crossing downstream of Kingston. Several wooden bridges were built and destroyed (either by the elements or enemy forces) during the Anglo-Saxon and Norman periods before Henry II commissioned a new stone bridge on which work began in 1176. It was finally completed 33 years later in the reign of King John. John tried to recoup the cost of building and maintenance by licensing out building plots on the bridge which eventually led to there being around 200 buildings in situ by the time the Tudors came to power. With the buildings came the threat of fire which materialised several times including in 1381 (Peasant’s Revolt), 1450 (Jack Cade’s Rebellion) and 1633 (which was actually fortuitous since it created a natural fire-break at the northern end which halted the spread of the Great Fire three decades later). The southern gatehouse of Henry’s bridge was notoriously used to display the severed heads of deemed traitors such as William Wallace, Jack Cade, Thomas More and Thomas Cromwell. The practice only stopped following the restoration of Charles II. Houses continued to be built on the bridge up until the middle of the 18th century by which time is was finally recognized that the medieval bridge was no longer fit for purpose. It wasn’t until 1831 however that this vision was realised with the opening of the John Rennie designed five stone-arch replacement – and we’ve already revealed the ultimate fate of that one.

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Looking East from London Bridge
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Looking north from London Bridge

At the northern end of London Bridge we drop down onto the riverside to the west and the Hanseatic Walk named after the Hanseatic League, a commercial and defensive confederation of merchant guilds and market towns in Northwestern and Central Europe that dominated maritime trade in the Baltic and North Sea from the 13th to the middle of the 15th century and continued to exist for several centuries after that. The main trading base of the Hanseatic League in London was known as The Steelyard and was situated on the north side of the Thames where one end of the Southwark Railway Bridge now stands. Its remains where uncovered by archaeologists during maintenance work on Cannon Street Station in 1988. In 2005 a Commemorative Plaque was installed at this western end of the Hanseatic Walk by the British- German Association.

Appropriately, Steelyard Passage runs under the rail-line out of Cannon Street and joins the next stretch of the Thames Path that takes us as far as Southwark Bridge. Here we climb up the steps onto Queens Street Place which has a number of richly ornamental facades on its west side. (At this point I should acknowledge again the Ornamental Passions blog which has been an invaluable source of information on architectural sculpture and statuary). First up, on the riverside, is the horrendous neo-neo-classical Vintner’s Place built at the behest of the Vintner’s Company (another of the 12 original Livery Companies). The one saving grace of this building is that it preserved the portico of its predecessor, a 1927 art deco office block called Vintry House. This portico incorporates one of London’s most brazen pieces of sculpture, a full-frontal nude Bacchante (priestess of Bacchus) flanked by a pair of goats and with a cape made from bunches of grapes. The creator of this was one Herbert Palliser and the model was Leopoldine Avico, one of three sisters who posed for numerous sculptors and painters during the early decades of the 20th century.

Next door Thames House was built in 1911 for Liebig’s Extract of Meat Company, which made a Bovril-like goo from boiled up cows at a huge plant in Fray Bentos in Uruguay and later developed the Oxo cube. (Until I looked this up I had no idea there was an actual place called Fray Bentos). The sculptures on the two wings of the façade are the work of Richard Darbe who also dabbled in ivory and ceramic figurines for Royal Doulton.

Finally on the corner with Upper Thames Street is Five Kings House, which was originally the northern end of Thames House but was divided off in 1990. The figures above the entrance were created by George Duncan MacDougald. The male figure appears to represent the god Mercury but it’s not clear who the female figure is meant to be.

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After turning right onto Upper Thames Street we cross between this and the riverfront three times, Bell Wharf Lane, Cousin Lane and All Hallows Lane respectively, to return to the western end of the Hanseatic Walk. As we head back east we pass through Walbrook Wharf which is still an actual operating wharf, acting as a waste transfer station where refuse from central London is loaded onto barges to be shipped downstream to the Belvedere Incinerator which lies halfway between the Woolwich and Dartford crossings. When waste is being transferred onto the barges the riverside walk is closed to pedestrians. This point on the river, known as Dowgate, is also the mouth of the River Walbrook one of London’s lost rivers which now runs completely underground and feeds the sewer system.

There are two more links between Upper Thames Street and the riverside walk before we get back to London Bridge; Angel Lane and Swan Lane. Adjacent to the bridge, still on the west side, is the hall of the Fishmongers’ Company coming in at a mighty 4th place in the Livery Companies’ Order of Precedence which, as we have seen several times before, means that it got its original charter from Edward I (circa 1272). The Company enjoyed a monopoly on the sale of fish in the capital up until the 15th century. The original hall was the first of forty Livery Company halls to be consumed by the Great Fire. However thanks to the Hall’s riverside location, the Company’s most important documents and its iron money chest and silver, were safely transported away by boat. The present hall was the second built after the Great Fire enforced by the start of construction of the “New” London Bridge in 1828. Following substantial destruction during the Blitz the hall underwent major restoration which was completed in 1954. Until 1975 the Company enjoyed the use of a private wharf which excluded the public from access to the riverfront here. The statue in the garden is of “in memory of Mr. James Hulbert late citizen and Fishmonger of London deceased” and was moved here in 1978 having been first erected at St Peter’s Hospital Wandsworth in 1724.

On the east side of the northern end of London Bridge on Lower Thames Street stands the church of St Magnus the Martyr. I’ve visited an awful lot of churches since I started doing this and it’s taken until almost the very end of the mission to discover the two that are probably my favourites, starting with this one. The church was originally established in the early 12th century and it is now accepted that it is dedicated to an earl of Orkney named Magnus who, despite his reputation for piety and gentleness, was killed by one of his cousins in a power struggle around 1116 and was canonised some twenty years later. At various times through the church’s history however it has been contended that the dedication is actually in favour of the St Magnus who was persecuted by the Emperor Aurelian back in the 3rd century AD. The medieval church survived pretty much intact until it was one of the first buildings to be destroyed in the Great Fire, being mere yards from Pudding Lane. Rebuilding after the fire took place (naturally) under the direction of Christopher Wren and was completed in 1676. This new church emerged relatively unscathed from WW2 and what repair work was needed was concluded by 1951, the year after it was designated a Grade I listed building. Though not large, the interior of the church contains a number of interesting artefacts and decorations not least of which is a splendid scale model of Old London Bridge created by David T. Aggett  a liveryman of the Worshipful Company of Plumbers. It also has an historic late 18th century fire engine (well more of a cart really) acquired by the parish in compliance with the Mischiefs by Fire Act of 1708 and the Fires Prevention (Metropolis) Act of 1774. Despite the church’s C of E denomination its interior is very ornate thanks to a neo-baroque style restoration of 1924 which reflected the Anglo-Catholic nature of the congregation at the time. That heritage may also explain why the rector uses the title “Cardinal Rector”, making him the last remaining cleric in the Church of England to use the title Cardinal.

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On leaving the church we return to the Thames Path and head further east past the riverside facades of Old Billingsgate and Custom House both of which we looked at back in Day 45. The two buildings are separated by Old Billingsgate Walk and beyond the latter Water Lane takes you back up onto Lower Thames Street.

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Old Billingsgate facing the Thames

Looping round Petty Wales and Gloucester Court brings us to the second of those churches – The Church of All Hallows by the Tower. All Hallows (which means “all saints”) was founded by Erkenwald, Bishop of London in 675 AD (as a chapel of the great Abbey of Barking). The original Anglo-Saxon church was built on the site of an earlier Roman dwelling, part of the tessellated floor of which was uncovered during excavations in 1926. The only surviving part of the Anglo-Saxon church, its great arch, re-emerged even later as a consequence of WW2 bomb damage. In 1311 the church was used as the venue for a series of trials of members of the Knights Templar which had become a prescribed organisation across Europe following the issue of a papal bull by Pope Clement. Due to its proximity to the Tower, post-reformation the church found itself the recipient of several bodies which had been deprived of their well-known heads including Thomas More and John Fisher (both executed by Henry VIII) and Archbishop Laud (executed by the Puritan government after the fall of Charles I). In 1650 the ignition of seven barrels of gunpowder in a nearby shop led to an explosion that left the church tower in such a precarious state that it had to be rebuilt in 1659. It was particularly fortunate therefore that the due to the efforts of Admiral General William Penn in ordering the destruction of surrounding houses to create a fire-break the church survived the Great Fire intact. The Admiral’s son, also called William, was baptised in the church and went on to found the American Quaker colony of Pennsylvania. A century later John Quincy Adams, who was to become the 6th President of the USA, was married here. The church’s crypt museum contains as number of Roman and Saxon artefacts as well as the original registers recording the events described above. Bizarrely, it also houses a barrel which was used as the crow’s nest on Sir Ernest Shackleton’s 125-ton Norwegian Steamer “Quest”. Departing England on the 24th September 1921 Quest set sail for Antarctica on what was to be Shackleton’s last expedition. The ship ventured south visiting Rio De Janeiro and then moving onwards to South Georgia where Shackleton died on the 5th January 1922 and is now buried. At this point I should give an honourable mention to the lady on the gift-shop desk who was extremely helpful and friendly.

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And so finally on to the Tower of London which we reach via a circular route of Byward Street, Lower Thames Street (again) and Three Quays Walk beside the river. Obviously, I could write reams and reams about the Tower if I had the time and inclination but for both our sakes’ I’ll try to keep it short and sweet. The original central fortress, now known as the White Tower, was built after 1070 by William the Conqueror as he sought to protect and consolidate his power. In the 13th century, Henry III and Edward I added a ring of smaller towers, enlarged the moat and created palatial royal lodgings inside these imposing defences.

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The Tower had a starring role to play in the Wars of The Roses. The Lancastrian King Henry VI was murdered here in 1471 and twelve years later the two young sons of his successor, the Yorkist Edward IV, were reputedly killed on the orders of their uncle Richard Duke of York (subsequently Richard III) who had had them installed in what became known as “the Bloody Tower” for their “safekeeping”. From the Tudor Age onward the Tower of London became the most important state prison in the country. Among those sent here never to return were Anne Boleyn, Lady Jane Grey, Sir Walter Raleigh and Guy Fawkes. The last person to be executed at the Tower was a German WW2 spy, Josef Jacobs, who was on the wrong end of a firing squad in August 1941. Many of those imprisoned, but not always executed, were held in the Beauchamp Tower, named after Thomas Beauchamp, Earl of Warwick, who was imprisoned here at the end of the 14th century for rebelling against Richard II. (Beauchamp is my mother’s maiden name so I’d like to imagine a distant family connection there). Anyway, several of these prisoners whiled away the hours of incarceration by carving graffiti in the form of inscriptions, poems, family crests and mottoes into the walls.

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Of course what most of the three million visitors a year come for is a gawp at the Crown Jewels. The original 11th century Jewels were destroyed by the victorious Parliamentarians after the Civil War. Precious stones were prised out of the crowns and sold, while the gold frames were sent to the Tower Mint to be melted down and turned into coins stamped ‘Commonwealth of England’. The crowns, orb, sceptre and swords that form the bulk of the collection as seen today were created for the coronation of Charles II following the restoration of the monarchy in 1660. The most famous of the individual jewels were acquired much later however; the two Cullinan diamonds were cut from a stone discovered in South Africa in 1905 and the Koh-I-Nur diamond, which was unearthed in 15th century India, was presented to Queen Victoria in 1849. The Crown Jewels are housed in the Waterloo Barracks on the north side of the Tower complex. Although the queue to get in looks daunting it moves quite quickly; largely because once you get to the heart of the collection a moving walkway whisks you past the cabinets containing the principal regalia. No photos are allowed so you’ll need to click on the link above to see what you’re missing if you’ve never been to see for yourself.

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The two other things that everyone associates with the Tower are the Yeomen Warders “Beefeaters” and the Ravens. There are currently 37 of the former who all live in accommodation at the Tower (they have their own pub, The Keys, which visitors are excluded from) and have to be ex-forces with at least 22 years service behind them and having attained the rank of warrant officer. So at lot of them are former Sergeant Majors which means they have no trouble herding and making themselves heard by the visitors who join the hourly tours they run. Legend has it that both the Tower of London and the kingdom will fall if the six resident ravens ever leave the fortress. Charles II took this seriously enough to insist that they be protected against the wishes of his astronomer, John Flamsteed, who complained the ravens impeded the business of his observatory in the White Tower. Today there are seven Ravens kept at the Tower; to encourage them to remain they are fed handsomely, including a weekly boiled egg and the occasional rabbit, and their flight feathers are trimmed.

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And that’ll have to be that for this time. I’ll be back in a few weeks with the final instalment (honestly !).

 

 

 

 

 

 

 

 

Day 44 – Bank – Threadneedle Street – Cornhill – Lombard Street

So we’re back after a bit of an extended summer break and we’re still in the City of London. Today’s expedition is all about the streets that radiate eastward from the Bank tube station junction, Threadneedle Street, Cornhill, Lombard Street and King William Street but also extends north up to Moorgate and London Wall. Might not look like a very wide area on paper but on pavement, once you’ve added in all the courts and alleyways, there’s a fair bit of shoe leather laid to rest. Highlights en route today include the Bank of England and the Royal Exchange along with the inevitable Wren churches and a couple more of those Livery Companies.

Day 44 Route

I’ve referenced it fleetingly in previous posts but for this outing I’m going to delve into this a bit more extensively as a source for the commentary (I don’t know the exact year of publication but it was some time in the 1930’s). Direct extracts will appear in italics.

Guide

We begin today from Bank underground station from where exit 1 leads us up to Princes Street heading northward. Set back from the west side of Princes Street is Grocers’ Hall, home to The Grocers’ Company, another of the original Twelve Great Livery Companies and proudly ensconced at no.2 in the Order of Precedence (appropriately in a “Nation of Shopkeepers”). This mob started out as the Ancient Guild of Pepperers as far back as 1100 then in the 14th century founded a new fraternity of spice traders in the City of London which came to be known as the Company of Grossers. It took them three years before they realised that this might cause a few sniggers come the 21st century and changed it to Grocers in 1376. They received their Royal Charter from Henry VI in 1428.  The current hall, the fifth, was built in 1970, its predecessor having survived WW2 only to be burnt down in 1965 reportedly due to a poorly situated lightbulb being left on in a cupboard.

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At the top of Princes Street we turn right into Lothbury and proceed along the back of the Bank of England where there is a statue of Sir John Soane (whose wonderful museum we visited on a previous excursion), architect and surveyor to the Bank from 1788 to 1833 during which time it doubled in size to 3.5 acres. It first moved to this site between Threadneedle Street and Lothbury in 1734, having previously leased the Grocers’ Hall (see above) from 1695, the year following its foundation. When the Bank was rebuilt between 1925 and 1939 by Sir Herbert Baker, the outer walls erected by Soane in 1828 were retained while all the interior buildings were demolished. Regarding these walls it will be observed that, for the purposes of security, they are completely windowless, all the rooms being lighted from interior courts; but even a Raffles who succeeded in passing this barrier would be baffled at the extraordinary series of defences surrounding the vaults, which include concentric walls of steel and concrete between which armed guards patrol day and night.

On the other side of Lothbury stands St Margaret’s Church, the first of a number of post-Great Fire Christopher Wren rebuilding jobs we’ll encounter today.

Right next door to the church is 7 Lothbury, built in 1868 and designed in a Venetian Gothic style by architect George Somers Clarke (1825 – 1882) as a head office for the General Credit and Discount Company. In the 1960’s it was taken over by the Overseas Bankers’ Club but despite a Grade II listing had fallen into disrepair by the early 21st century. It has now been converted for residential use.

Turn left next up Tokenhouse Yard then left again along King’s Arms Yard to Moorgate. Across the street is another Grade II listed building, Basildon House, which dates from the late 1800s and is in a Baroque style with Grecian details.

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Head north a short way then look in on Great Bell Alley on the westside before crossing back over and proceeding east down Telegraph Street. Loop round Whalebone Court and Copthall Court into Copthall Avenue and after a few paces north turn west again along Great Swan Alley. This is the site of the headquarters of the Institute of Chartered Accountants, though technically the address is no.1 Moorgate Place which is about half way along the street. Chartered Accountants’ Hall was built between 1890 and 1893 and is another Victorian neo-Baroque job courtesy of architect John Belcher. The façade on Great Swan Alley is part of an extension to the original building completed in 1930-31. In 1964-70 a much more extensive redevelopment was undertaken which included the creation of a Great Hall with five stories of office space above it. The ICAEW was granted a royal charter in 1880 and today has over 147,000 members. Presumably that’s one of them in the photo below (no not the guy the yellow jacket – he looks more like a Certified Accountant).

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After this it’s back to Moorgate and a continuation northward up to London Wall where we turn east and then head south once more all the way down Copthall Avenue. Swing round to the east and head up and back down the top section of Throgmorton Avenue with just a cursory glance at the Carpenters’ Hall – royal charter granted in 1477 and no.26 in order of precedence. Return along Copthall Avenue and then stroll down Angel Court to Throgmorton Street. Turn right a short distance to arrive at Bartholomew Lane which skirts the east flank of the Bank of England and houses the entrance to the museum. The Bank of England museum has two main things going for it; one it’s free and two it’s not that big. This does mean it can get quite crowded but it’s worth putting up with that.

The Bank was the brainchild of Scottish entrepreneur William Paterson (1658 – 1719). The aim was to provide a secure and continuous loan to the nation (at a healthy profit of course). Public subscriptions raised £1.2 million in a few weeks, which formed the initial capital stock of the Bank of England and was lent to Government in return for a Royal Charter. The Royal Charter was sealed on 27 July 1694, and the Bank started its role as the Government’s banker and debt manager. I’m not going to write at length about the history of the Bank but it does make for interesting reading so it’s worth clicking on the link.

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Just a bit about the gold held by the Bank to finish off with – as I know that’s what you’re really interested in. The Bank itself only owns two of the gold bars in its vaults (one of which is actually on display in the museum). The rest are stored on behalf of HM Treasury, other central banks and some commercial firms. As of April 2017 the vaults held a total of 164.7 million Fine Troy Ounces of gold (about 5.1m kg or c.400,000 gold bars). Gold is currently trading at around £1,000 an ounce so I guess you can just about do the math as they say.

After leaving the museum we return to Bank station along Threadneedle Street. The Bank has of course long been known colloquially as “the Old Lady of Threadneedle Street”.

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Across the street from the Bank, in the angle of Threadneedle Street and Cornhill, is the Royal Exchange, founded by Sir Thomas Gresham (1519 – 1579) in 1566 as London’s first purpose built centre for trading stocks and commodities. The first exchange, opened by Queen Elizabeth I in 1871, came to grief in the Great Fire and its successor also burnt down in 1838. The present building, designed by Sir William Tite and inspired by the Pantheon in Rome, was opened by Queen Victoria in 1844. After WW2, during which the building was damaged, the traders moved out and the building fell into disuse until the 1980s’ when it was repaired and taken over by LIFFE (the London International Financial Futures Exchange). By the turn of the millennium LIFFE had also moved on and the building was extensively remodelled to transform it into a luxury shopping and dining destination. In front of the building stands a memorial, designed by Sir Aston Webb, to London troops who fell in the Great War.  Close by is an equestrian statue of the Duke of Wellington (riding without stirrups) by Chantrey cast from bronze from captured enemy cannons in 1844 . Historically the steps of the Royal Exchange have been one of the places from which the accession of a new monarch is proclaimed. It remains to be seen if this tradition is maintained.

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Walk through the Royal Exchange, without pausing to sample the fine dining though I did have a look in the Paul Smith sample store. Outside the eastern entrance on Royal Exchange Buildings are statues to George Peabody, founder of the Peabody Trust (several of whose housing estates we have encountered on previous journeys – and which look more and more like exemplary models of social housing with the passage of time) and Paul Julius Reuter, founder of the eponymous News Agency which had its first home nearby.

East of the Peabody statue, at the entrance to Royal Exchange Avenue, is a former drinking fountain dating to 1878 adorned by a sculpture entitled La Maternité by Jules Dalou (this was originally in marble but that weathered badly and so was replaced by a bronze copy in 1897). This was partly paid for by the Merchant Taylors’ Company, whose hall is just round the corner but falls into one of today’s blind spots.  So the Livery Company which is either 6th or 7th on the OOP (they alternate each year with the Skinners) miss out on their write up.

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Walk down Royal Exchange Avenue into Finch Lane, turn south down to Cornhill and then head back towards Bank. In the middle of Cornhill is a statue of James Henry Greathead (1844 – 1896), a Civil Engineer who was instrumental in the creation of the London Underground and patented a number of inventions that facilitated the tunnelling operations. The statue was erected in 1994 and is positioned on a plinth which hides a ventilation shaft for the Underground.

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Just a little way further back no. 24 Cornhill (now a cocktail bar and restaurant) has a Grade II listed façade designed by that man Sir Aston Webb (1849 – 1930) again. Webb’s most famous works are the façade of Buckingham Palace and the main V&A building.

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As we approach Bank station once more the Mansion House hoves into view. We pretty much circumvented this last time out so for the sake of completeness here are a few 80 year-old snippets about this official residence of the Lord Mayor of the City of London. It was built between 1739 and 1753, mainly, it is said from fines levied on stalwart Nonconformists. It has a fine Corinthian portico from the platform of which official announcements are often made. The chief room is the Egyptian Hall where the somewhat lavish hospitality expected from London’s chief citizen is exercised. The Lord Mayor receives a salary of £10,000 a year, but if rumour speaks correctly he is generally out of pocket at the end of his year of office.

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Just before we reach the Bank intersection we cut down Pope’s Head Alley to Lombard Street then turn right to where this apexes with King William Street. Here stands the church of St Mary Woolnoth, which surprise. surprise is not part of the Christopher Wren portfolio but one of the Queen Anne churches designed by that other great ecclesiastical architect, Nicholas Hawksmoor. Today the church is used by London’s German-speaking Swiss community and doubles up as the official London church of the government of British Columbia (why that is even a thing heaven knows).

Next up we switch between Lombard Street and King William Street for a while courtesy of Post Office Court, Abchurch Lane, Nicholas Passage and Nicholas Lane before we find ourselves heading south down Clement’s Lane at the bottom of which is the decidedly underwhelming St Clement’s Church (of “Oranges and Lemons” say fame). Clement was a disciple of Saint Peter and was ordained as Bishop of Rome in AD 93. Legend has it that his was martyred by being tied to an anchor and thrown into the Black Sea, hence his status as patron saint of sailors. The church is currently home to the administrative offices of the human rights’ charity the Amos Trust. So in lieu of shots of the interior here’s a reflection of the day.

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Back on King William Street we turn east and swing round past House of Fraser into Gracechurch Street. Continue north before turning west down Lombard Court and then cutting up Plough Court to return to Lombard Street. To the left here is the Church of St Edmund King & Martyr, reconstructed to a design of Wren incorporating a tower ornamented at the angles by flaming urns in allusion to the Great Fire that destroyed the medieval church.

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Across the street the entrance to the Royal Insurance Building is guarded by this bronze sculpture of three “allegorical” female figures – the lady on the left holds an anchor to represent the power of the sea, the one on the right a flaming torch to represent, well, fire and the sphinx in the centre (according to some sources) signifies the uncertainty of the future. The work is by Francis William Doyle Jones (1873 – 1938) and is entitled, with commendable literalness, Chimera with Personifications of Fire and the Sea.

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We double back a short distance and then proceed north into George Yard as far as the George & Vulture pub. This self-proclaimed Old Pickwickian Hostelrie dates from 1748 and is reputed to have been one of the meeting places of the notorious Hell-Fire Club. Dickens was a regular punter and the inn is mentioned at least 20 times in The Pickwick Papers.IMG_20170823_161505

Just before the pub we turn left down Bengal Court then cross Birchin Lane and follow Cowpers Court back to Cornhill. Turn eastward here as far as Ball Court on the south side which doglegs round to St Michael’s Alley where, opposite the George & Vulture is another legendary City drinking-hall, The Jamaica Wine House. Known locally as “the Jampot” this was originally the first coffee house in London, opening in 1652 and counting Samuel Pepys amongst its clientele.

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Taking St Michael’s Alley back to Cornhill we reach St Michael’s Church  rebuilt by Wren after the Fire and restored by Sir G.G. Scott. It has a fine Gothic tower, modelled on Magdalen Tower, Oxford and a pulpit carved by Grinling Gibbons. The organ of St Peter’s Church, almost next door, was played several times by Mendelssohn and in the vestry his autograph is treasured. The church was founded, according to an ancient tablet in the vestry, by “Lucius, the first Christian king of this land called Britaine”. Many remains of Roman London have been discovered hereabouts and many authorities place here the site of the Roman forum.

Beginning with St Peter’s Alley we trace a double loop southward additionally involving Corbet Court, St Michael’s Alley again (this is at least three alleys for the price of one) and Bell Inn Yard. That brings us back to Gracechurch Street where we drop further south to Lombard Street and then proceed west to Birchin Lane which takes us north again. After a quick detour exploring the labyrinth that is Change Alley we resume northward, crossing over Cornhill into Finch Lane then over Threadneedle Street into Old Broad Street. Almost immediately veer left down Threadneedle Walk to return to Throgmorton Street generally crowded by bare-headed individuals of varying degrees of frivolity, whose presence betrays the whereabouts of that important institution, the Stock Exchange in Capel Court. The Stock Exchange referred to is the one that was created in 1801 as the first purpose-built and regulated “Subscription Room” for brokers to ply their trade. Prior to that they had gravitated away from the Royal Exchange to conduct their business in the coffee-houses of Change Alley and beyond. Capel Court no longer exists as such; in 1972 a new Stock Exchange Tower was opened on Old Broad Street and the original site redeveloped. However, come the ‘Big Bang’ and the introduction of electronic trading in 1986, the Tower became something of a white elephant and when an IRA bomb blew a whole in the 26-storey building four years later the writing was firmly on the wall. It closed permanently in 1992 and it was another 20 years before this unloved totem of the “Brutalist” era was stripped back to its core and redeveloped as a 21st century glass-clad monolith. In 2004 the London Stock Exchange eventually found a new home in Paternoster Square. Coincidentally the company I worked for made the same journey from Old Broad Street the same year.

Bit of a digression there but back to Throgmorton Street and the Drapers’ Hall. The first hall here was bought from King Henry VIII in 1543 for the sum of 1,800 marks (c.£1,200) and had previously been the home of Thomas Cromwell (up until his execution in 1840). The hall was rebuilt after the Great Fire and again in 1772 after another fire. In the 1860’s the frontage and the interior were redesigned by Herbert Williams. Further changes at the end of the 19th century included the creation of the two Atlantes (male equivalents of Caryatids); turbaned and muscular Djinns that guard either side of the entrance. These are believed to be the work of sculptor H.A Pegram (1862 – 1937).

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The full title of the Drapers’ Company is “The Master and Wardens and Brethren and Sisters of the Guild or Fraternity of the Blessed Mary the Virgin of the Mystery of Drapers of the City of London”. The word Mystery comes from the Latin “misterium” meaning professional skill. You wouldn’t get away with that if you were much lower than no.3 on the Order of Precedence. We follow Drapers’ Hall and its gardens all the way up  Throgmorton Avenue to where it joins Copthall Avenue.

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There is a bit more to come  but since we’ve just about breached the 3,000 word barrier we’ll continue from this juncture next time.