Day 68 – Buckingham Palace Road – Ebury Street – Eaton Square

Back again at long last then. For this resumption we’re exploring the (extremely) upmarket and pretty verdant nexus of Belgravia and Pimlico. There are quite a few interesting former residents to check out and plenty of colourful springtime flora to brighten the route.

Starting point today is Victoria Railway Station from where we head south down Wilton Road. Turning left into Gillingham Street we encounter the first of today’s many blue plaques at no. 17, commemorating the writer Joseph Conrad (1857 – 1924). Conrad was born in the Ukraine into a family of Polish land-owning nobility. After being sent to Marseilles as a 16 year-old to take up a career with the French Merchant Navy he enlisted with its British counterpart four years later. At this stage his largely self-taught knowledge of English was still very rudimentary. He began writing his first novel in 1889 but his two most well-known works, Heart of Darkness and Lord Jim, date from the turn of the century by which time he had been forced by ill-health to give up a life at sea. Orson Welles adapted the former for his first screenplay for RKO pictures in 1939 but ended up abandoning it in favour of Citizen Kane; forty years later it became the inspiration for Apocalypse Now. Lord Jim made it to the screen twice, in 1925 and 1965, the second time with Peter O’Toole in lead role.

We return to Wilton Road via Gillingham Row then continue south as far as Longmoore Street which feeds into Vauxhall Bridge Road to the east with the help of Upper Tachbrook Street. Returning west along Warwick Way then north up Guildhouse Street brings us back to Gillingham Street. We double-back up Wilton Road and swing into Bridge Place which runs to the east of the lines running out of Victoria Station. At the junction with Belgrave Road sits the London branch of HM Passport Office, Globe House. This was opened in 2002 and replaced the office on Petty France which had acted as the the London-based passport issuer for fifty years.

Turning right we cross Eccleston Bridge over the railway lines (though Google Maps seems to think this is an underpass).

On the other side is the southern access to Victoria Station reached via the Victoria Place shopping mall which was unsurprisingly quite deserted. It also possesses the most pointless pair of escalators I have seen in a long time (and people were actually using them !)

Beyond the mall we turn north up Buckingham Palace Road and head up to Grosvenor Gardens which runs either side of the eponymous triangular green space. At the southern corner of the gardens is Terminal House with its familiar 1930’s style Portland stone cladding. It was actually built between 1927 and 1930 to a design by architects Yates, Cook and Darbyshire with some assistance from Edwin Lutyens.

The gardens themselves are looking particularly resplendent in the Spring sunshine (far more so than I remember from my time working in the vicinity). They are dedicated to Marshall Ferdinand Foch (1851 – 1929) whose equestrian statue stands adjacent to Buckingham Palace Road. Foch served as Supreme Allied Commander during the First World War. It was Foch who on 11 November 1918 accepted the German request for an armistice. He was in favour of crippling settlement terms that would render Germany unable to pose any future threat to his native France but was overruled by the British and Americans. As the Treaty of Versailles was being signed on 28 June 1919, he declared: “This is not peace. It is an armistice for twenty years.” His words proved prophetic though, ironically, historians generally consider that the rise of the Nazis and the outbreak of WW2 were in large part attributable to the harshness of the treaty terms rather than their leniency.

Fittingly the mansion blocks on the two prongs of Grosvenor Gardens have a distinctly French appearance. Grosvenor Gardens House (in the background above) was built in 1868 in a French renaissance style by architect Thomas Cundy III and originally known as Belgrave Mansions. The parents of Queen Elizabeth The Queen Mother had a home there so she may have been born there in 1900, though this is not known definitively. Less uncertain is that David Niven was born there in 1910. In 1878 the proto-venture capitalist and philanthropist William Henry Blackmore killed himself in his study following a disastrous investment in a US railroad. And in 2017 the building featured in a £132-million High Court trial for damages brought against luxury property developers, Christian and Nick Candy (the latter married to Holly Valance) which was eventually resolved in their favour.

The artwork you can see in the slides, comprised of three brightly coloured, chimneyed mini dwellings is by sculptor and designer Richard Woods and entitled Small, Medium and Large. According to Woods the title references the commercial choices we are presented with on a daily basis. He also points out the sculpture’s flirtation with perspective. “It’s large enough that standing at one end of it distorts your point of view. The big house looks small and the small house looks big depending on your perspective.”

At the apex of the gardens we head briefly southward on Ebury Street before turning left back to Terminal House then continuing south by was of Phipp’s Mews and Eccleston Place. This brings us out onto leafy Eccleston Street where we take a right turn. As I pass a perambulatory trio of well-heeled ladies of one of them expostulates loudly “Now, can we talk about my bouquet !” I am unable to contextualise this in any way.

From here we head back up Ebury Street then west on Lower Belgrave Street which gets us to the top end of Chester Square. This is the smallest and least grand of the three residential garden squares created by the Grosvenor Family (since 1874 the possessors of the Dukedom of Westminster) in the mid nineteenth century. These things are relative though, a house here will still set you back north of £20m at the very least. Past and present residents include Margaret Thatcher, Roman Abramovich, Mick Jagger and Marianne Faithful and Nigella Lawson. No. 76 is the residence of the ambassador of Colombia.

At the end of the first of the triptych of gardens that comprise Chester Square we turn right along Belgrave Place to reach Eaton Square. Eaton Square is divided into six separate (private need I add) gardens being intersected laterally by Lyall Street in addition to Belgrave Place and right through middle by the A3217 which leads into Sloane Square. The gardens are all Grade II listed on the Register of Historic Parks and Gardens. Architect Thomas Cubitt was commissioned by the Grosvenors to oversee the design and building of the surrounding houses which are predominantly three-bay-wide porticoed buildings, joined in regular terraces in a classical style, with four or five main storeys, plus attic and basement and a mews house behind. The first block was laid out in 1827.

A circuit of the uppermost two gardens takes us past the Bolivian Embassy at no.106 which could be said to be punching above its weight (if you were being unkind).

First of several blue plaques is at no. 37 in the south middle section where Neville Chamberlain (1869 – 1940) resided from 1923 to 1935. Chamberlain is, of course, one of the most maligned British politicians of the 20th century on account of his futile and humiliating attempt to reach a peace agreement with Hitler. What history tends to forget that his signing of the Munich agreement in September 1938 and his homecoming declaration of “A Peace For Our Time” was strongly approved of by the British public at the time. What I hadn’t appreciated until I looked into his life was that he actually survived as PM until as late as May 1940 when the failure of a military campaign to get a defensive foothold in Norway led to his downfall. Also unbeknown to me was that he only lived for a further six months after his resignation before succumbing to bowel cancer.

A few doors down, no. 44 was briefly home to Prince Klemens von Metternich (1773 – 1859). Metternich was one of the most influential politicians of nineteenth century Europe, playing a significant part in Austria becoming a major political force on the continent in the first half of that century. As Foreign Minister he led the Austrian delegation at the 1815  Congress of Vienna which redrew the map of Europe following the (initial) defeat of Napoleon (after 6 months of negotiations it was signed nine days before the Battle of Waterloo). In 1821 Metternich was appointed Chancellor of State and devoted the next 27 years to trying to uphold the status quo. In 1848 however he became a casualty of the wave of revolutions that swept through Europe that year. Within the Austro-Hungarian Empire this took the form of a series of nationalist revolts in several of the occupied territories. Metternich went into exile, initially in England, and spent four months in Eaton Square before decamping to Brighton and then to Brussels.

No. 80 on the north-western most section was where the American financier and philanthropist, George Peabody (1795 – 1869) died. We have encountered him many times before on this odyssey in relation to the various Peabody Trust housing estates which still to this day provide affordable housing for Londoners. Born into a poor family, Peabody started out in the dry goods business before moving into banking. He relocated to London in 1837 where he came the pre-eminent American banker in the then capital of world finance, co-founding the firm that eventually became J.P. Morgan. Peabody donated over $8m (equivalent to more than $160m today) to philanthropic causes, mostly during his lifetime.

Let’s have a quick break from the blue plaques to show a couple of shots of these extensive gardens, which on this glorious spring day were being enjoyed by less than half a dozen of the entitled residents across their six separate sections.

The final former resident to namecheck is Vivien Leigh (1913 – 1967) who had a flat at no. 54. Leigh was born Vivian Mary Hartley in British-ruled India. Her initial acting successes came on the stage then in 1937 she got her screen breakthrough starring alongside Laurence Olivier in the historical drama Fire Over England. Their meeting created history of a different kind. In short order Leigh and Olivier moved in together though it wasn’t until early 1940 that their respective original spouses granted them divorces. Prior to that, of course, Vivien had won the role of Scarlett O’Hara in Gone With The Wind in the face of the stiffest of competition. She was awarded the best actress Oscar, a feat she repeated with her performance in 1951’s A Streetcar Named Desire. She had however already had struggles with her mental health by this time and those struggles worsened during the 1950’s. In 1960 she and Olivier divorced and then in 1967 the chronic tuberculosis, with which she had first been diagnosed on the 1940’s, resurfaced and took her life.

In a strange twist of fate, the same flat in Eaton Square was later occupied by the German-Actress Luise Rainer (1910 – 2014) who had been one of the other actresses in the running for the part of Scarlett O’Hara. Rainer moved to Hollywood in 1935 and despite only making eight films there over a four year period remarkably also won the Best Actress Oscar twice – for The Great Ziegfield (1935) and The Good Earth (1937). The only other actress to have won two Oscars by the age of 30 is Jodie Foster. However, the pressure which accompanied that early success led her to suddenly quit the film business in 1938. She died at no. 44 just 13 days shy of her 105th birthday. (Almost twice the age Vivien Leigh lived to).

Having completed the meanderings in and around Eaton Square we follow Elizabeth Street back to Chester Square. At the southern end stands St Michael’s Church which was built in 1844, contemporaneously with the square itself. The church was designed in the Decorated Gothic style by Thomas Cundy the younger. The War Memorial Chapel at the north east end of the church was designed by Giles Gilbert Scott (the red telephone box man if you were paying attention many moons ago) and completed in 1920.

Having completed a circuit of the lower of the two Chester Square gardens we continue east on Elizabeth Street, home to several upmarket boutiques and eateries as well as Walden Chymist (sic), family-run since 1846. A good day for the statutorily required alfresco dining even if that’s not well represented buy the photo below.

Another stretch of Ebury Street next and the final blue plaque of the day. No. 109 is where Dame Edith Evans (1888 – 1976) lived up until the age of about 14. (A young Noel Coward lived next door at number 111 which his mother ran as a boarding-house). Edith is best known for her stage roles including her seminal performances as Lady Bracknell in Oscar Wilde’s The Importance of Being Earnest. Altogether now “A h-a-a-a-andbagggg !” She appeared in a handful of silent films during the First World War years but after the last of these in 1917 it was another thirty years before she ventured away from the stage again. In her later years she made eighteen screen outings, a rare example of an actress who enjoyed greater success beyond middle age than before it. Though she will always be associated with playing haughty, aristocratic women those weren’t the roles she especially wanted to be remembered for. When she first read through the role of Lady Bracknell with John Gielgud she commented, “I know those sort of women. They ring the bell and tell you to put a lump of coal on the fire.”

When we reach the intersection with Eccleston Street we turn right and then right again onto the continuation of Eccleston Place. Halfway down here is Eccleston Yards which Google describes as a trendy plaza and which afforded a better shot of some pre-lockdown easing al-fresco dining. Also on this section of Eccleston Place is one of the two branches of LondonCryo which specialises in various types of cryotherapy which apparently involves lowering the skin temperature to c. -110 degrees centigrade for about three minutes. So a quick dip in the sea at Bridlington would probably have the same effect.

We emerge back on to Elizabeth Street opposite Victoria Coach Station, somewhere I was not unfamiliar with in my much younger days. Technically the address is 164 Buckingham Palace Road though the arrival terminal is on Elizabeth Street. The station was opened in 1932 by London Coastal Coaches, a consortium of coach operators. The distinctive Art Deco style was the creation of architects Wallis, Gilbert and Partners. Initially it had space for 76 coaches plus a large booking hall, shops, buffet, restaurant, lounge, bar and administrative offices. Most coach services were suspended during WW2 and the building was requisitioned by the War Office to be returned with the resumption of coach travel in 1946. In 1970 the coach operators’ association which managed the station became a subsidiary of the National Bus Company and in 1988, ownership was transferred to London Transport (Transport for London from 2000 onward). In 2013, the freeholder of the site, Grosvenor Group (which as we’ve already seen owns pretty much everything round these parts), announced that it wished to redevelop the site and relocate the station elsewhere in London. However, a year later the building was Grade II listed by English Heritage so Transport for London will continue to use the site at least until 2023, when several leases expire.

On the opposite (east) side of Buckingham Palace Road the massive office and retail space known as The Hub, which includes one of Google’s London offices, is undergoing a major redevelopment scheduled for completion in 2023. We walk up the road and back down Colonnade Walk which is inside the development. Despite the air of desertion there are still people manning the reception desks in some of the offices.

So we’re just about done. It only remains to cross Elizabeth Bridge to reach the other side of The Hub and head up Bulleid Way, where London’s Green Line Coaches arrive and depart from, to close the circle back to Victoria Train Station.

Day 44 – Bank – Threadneedle Street – Cornhill – Lombard Street

So we’re back after a bit of an extended summer break and we’re still in the City of London. Today’s expedition is all about the streets that radiate eastward from the Bank tube station junction, Threadneedle Street, Cornhill, Lombard Street and King William Street but also extends north up to Moorgate and London Wall. Might not look like a very wide area on paper but on pavement, once you’ve added in all the courts and alleyways, there’s a fair bit of shoe leather laid to rest. Highlights en route today include the Bank of England and the Royal Exchange along with the inevitable Wren churches and a couple more of those Livery Companies.

Day 44 Route

I’ve referenced it fleetingly in previous posts but for this outing I’m going to delve into this a bit more extensively as a source for the commentary (I don’t know the exact year of publication but it was some time in the 1930’s). Direct extracts will appear in italics.

Guide

We begin today from Bank underground station from where exit 1 leads us up to Princes Street heading northward. Set back from the west side of Princes Street is Grocers’ Hall, home to The Grocers’ Company, another of the original Twelve Great Livery Companies and proudly ensconced at no.2 in the Order of Precedence (appropriately in a “Nation of Shopkeepers”). This mob started out as the Ancient Guild of Pepperers as far back as 1100 then in the 14th century founded a new fraternity of spice traders in the City of London which came to be known as the Company of Grossers. It took them three years before they realised that this might cause a few sniggers come the 21st century and changed it to Grocers in 1376. They received their Royal Charter from Henry VI in 1428.  The current hall, the fifth, was built in 1970, its predecessor having survived WW2 only to be burnt down in 1965 reportedly due to a poorly situated lightbulb being left on in a cupboard.

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At the top of Princes Street we turn right into Lothbury and proceed along the back of the Bank of England where there is a statue of Sir John Soane (whose wonderful museum we visited on a previous excursion), architect and surveyor to the Bank from 1788 to 1833 during which time it doubled in size to 3.5 acres. It first moved to this site between Threadneedle Street and Lothbury in 1734, having previously leased the Grocers’ Hall (see above) from 1695, the year following its foundation. When the Bank was rebuilt between 1925 and 1939 by Sir Herbert Baker, the outer walls erected by Soane in 1828 were retained while all the interior buildings were demolished. Regarding these walls it will be observed that, for the purposes of security, they are completely windowless, all the rooms being lighted from interior courts; but even a Raffles who succeeded in passing this barrier would be baffled at the extraordinary series of defences surrounding the vaults, which include concentric walls of steel and concrete between which armed guards patrol day and night.

On the other side of Lothbury stands St Margaret’s Church, the first of a number of post-Great Fire Christopher Wren rebuilding jobs we’ll encounter today.

Right next door to the church is 7 Lothbury, built in 1868 and designed in a Venetian Gothic style by architect George Somers Clarke (1825 – 1882) as a head office for the General Credit and Discount Company. In the 1960’s it was taken over by the Overseas Bankers’ Club but despite a Grade II listing had fallen into disrepair by the early 21st century. It has now been converted for residential use.

Turn left next up Tokenhouse Yard then left again along King’s Arms Yard to Moorgate. Across the street is another Grade II listed building, Basildon House, which dates from the late 1800s and is in a Baroque style with Grecian details.

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Head north a short way then look in on Great Bell Alley on the westside before crossing back over and proceeding east down Telegraph Street. Loop round Whalebone Court and Copthall Court into Copthall Avenue and after a few paces north turn west again along Great Swan Alley. This is the site of the headquarters of the Institute of Chartered Accountants, though technically the address is no.1 Moorgate Place which is about half way along the street. Chartered Accountants’ Hall was built between 1890 and 1893 and is another Victorian neo-Baroque job courtesy of architect John Belcher. The façade on Great Swan Alley is part of an extension to the original building completed in 1930-31. In 1964-70 a much more extensive redevelopment was undertaken which included the creation of a Great Hall with five stories of office space above it. The ICAEW was granted a royal charter in 1880 and today has over 147,000 members. Presumably that’s one of them in the photo below (no not the guy the yellow jacket – he looks more like a Certified Accountant).

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After this it’s back to Moorgate and a continuation northward up to London Wall where we turn east and then head south once more all the way down Copthall Avenue. Swing round to the east and head up and back down the top section of Throgmorton Avenue with just a cursory glance at the Carpenters’ Hall – royal charter granted in 1477 and no.26 in order of precedence. Return along Copthall Avenue and then stroll down Angel Court to Throgmorton Street. Turn right a short distance to arrive at Bartholomew Lane which skirts the east flank of the Bank of England and houses the entrance to the museum. The Bank of England museum has two main things going for it; one it’s free and two it’s not that big. This does mean it can get quite crowded but it’s worth putting up with that.

The Bank was the brainchild of Scottish entrepreneur William Paterson (1658 – 1719). The aim was to provide a secure and continuous loan to the nation (at a healthy profit of course). Public subscriptions raised £1.2 million in a few weeks, which formed the initial capital stock of the Bank of England and was lent to Government in return for a Royal Charter. The Royal Charter was sealed on 27 July 1694, and the Bank started its role as the Government’s banker and debt manager. I’m not going to write at length about the history of the Bank but it does make for interesting reading so it’s worth clicking on the link.

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Just a bit about the gold held by the Bank to finish off with – as I know that’s what you’re really interested in. The Bank itself only owns two of the gold bars in its vaults (one of which is actually on display in the museum). The rest are stored on behalf of HM Treasury, other central banks and some commercial firms. As of April 2017 the vaults held a total of 164.7 million Fine Troy Ounces of gold (about 5.1m kg or c.400,000 gold bars). Gold is currently trading at around £1,000 an ounce so I guess you can just about do the math as they say.

After leaving the museum we return to Bank station along Threadneedle Street. The Bank has of course long been known colloquially as “the Old Lady of Threadneedle Street”.

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Across the street from the Bank, in the angle of Threadneedle Street and Cornhill, is the Royal Exchange, founded by Sir Thomas Gresham (1519 – 1579) in 1566 as London’s first purpose built centre for trading stocks and commodities. The first exchange, opened by Queen Elizabeth I in 1871, came to grief in the Great Fire and its successor also burnt down in 1838. The present building, designed by Sir William Tite and inspired by the Pantheon in Rome, was opened by Queen Victoria in 1844. After WW2, during which the building was damaged, the traders moved out and the building fell into disuse until the 1980s’ when it was repaired and taken over by LIFFE (the London International Financial Futures Exchange). By the turn of the millennium LIFFE had also moved on and the building was extensively remodelled to transform it into a luxury shopping and dining destination. In front of the building stands a memorial, designed by Sir Aston Webb, to London troops who fell in the Great War.  Close by is an equestrian statue of the Duke of Wellington (riding without stirrups) by Chantrey cast from bronze from captured enemy cannons in 1844 . Historically the steps of the Royal Exchange have been one of the places from which the accession of a new monarch is proclaimed. It remains to be seen if this tradition is maintained.

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Walk through the Royal Exchange, without pausing to sample the fine dining though I did have a look in the Paul Smith sample store. Outside the eastern entrance on Royal Exchange Buildings are statues to George Peabody, founder of the Peabody Trust (several of whose housing estates we have encountered on previous journeys – and which look more and more like exemplary models of social housing with the passage of time) and Paul Julius Reuter, founder of the eponymous News Agency which had its first home nearby.

East of the Peabody statue, at the entrance to Royal Exchange Avenue, is a former drinking fountain dating to 1878 adorned by a sculpture entitled La Maternité by Jules Dalou (this was originally in marble but that weathered badly and so was replaced by a bronze copy in 1897). This was partly paid for by the Merchant Taylors’ Company, whose hall is just round the corner but falls into one of today’s blind spots.  So the Livery Company which is either 6th or 7th on the OOP (they alternate each year with the Skinners) miss out on their write up.

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Walk down Royal Exchange Avenue into Finch Lane, turn south down to Cornhill and then head back towards Bank. In the middle of Cornhill is a statue of James Henry Greathead (1844 – 1896), a Civil Engineer who was instrumental in the creation of the London Underground and patented a number of inventions that facilitated the tunnelling operations. The statue was erected in 1994 and is positioned on a plinth which hides a ventilation shaft for the Underground.

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Just a little way further back no. 24 Cornhill (now a cocktail bar and restaurant) has a Grade II listed façade designed by that man Sir Aston Webb (1849 – 1930) again. Webb’s most famous works are the façade of Buckingham Palace and the main V&A building.

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As we approach Bank station once more the Mansion House hoves into view. We pretty much circumvented this last time out so for the sake of completeness here are a few 80 year-old snippets about this official residence of the Lord Mayor of the City of London. It was built between 1739 and 1753, mainly, it is said from fines levied on stalwart Nonconformists. It has a fine Corinthian portico from the platform of which official announcements are often made. The chief room is the Egyptian Hall where the somewhat lavish hospitality expected from London’s chief citizen is exercised. The Lord Mayor receives a salary of £10,000 a year, but if rumour speaks correctly he is generally out of pocket at the end of his year of office.

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Just before we reach the Bank intersection we cut down Pope’s Head Alley to Lombard Street then turn right to where this apexes with King William Street. Here stands the church of St Mary Woolnoth, which surprise. surprise is not part of the Christopher Wren portfolio but one of the Queen Anne churches designed by that other great ecclesiastical architect, Nicholas Hawksmoor. Today the church is used by London’s German-speaking Swiss community and doubles up as the official London church of the government of British Columbia (why that is even a thing heaven knows).

Next up we switch between Lombard Street and King William Street for a while courtesy of Post Office Court, Abchurch Lane, Nicholas Passage and Nicholas Lane before we find ourselves heading south down Clement’s Lane at the bottom of which is the decidedly underwhelming St Clement’s Church (of “Oranges and Lemons” say fame). Clement was a disciple of Saint Peter and was ordained as Bishop of Rome in AD 93. Legend has it that his was martyred by being tied to an anchor and thrown into the Black Sea, hence his status as patron saint of sailors. The church is currently home to the administrative offices of the human rights’ charity the Amos Trust. So in lieu of shots of the interior here’s a reflection of the day.

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Back on King William Street we turn east and swing round past House of Fraser into Gracechurch Street. Continue north before turning west down Lombard Court and then cutting up Plough Court to return to Lombard Street. To the left here is the Church of St Edmund King & Martyr, reconstructed to a design of Wren incorporating a tower ornamented at the angles by flaming urns in allusion to the Great Fire that destroyed the medieval church.

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Across the street the entrance to the Royal Insurance Building is guarded by this bronze sculpture of three “allegorical” female figures – the lady on the left holds an anchor to represent the power of the sea, the one on the right a flaming torch to represent, well, fire and the sphinx in the centre (according to some sources) signifies the uncertainty of the future. The work is by Francis William Doyle Jones (1873 – 1938) and is entitled, with commendable literalness, Chimera with Personifications of Fire and the Sea.

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We double back a short distance and then proceed north into George Yard as far as the George & Vulture pub. This self-proclaimed Old Pickwickian Hostelrie dates from 1748 and is reputed to have been one of the meeting places of the notorious Hell-Fire Club. Dickens was a regular punter and the inn is mentioned at least 20 times in The Pickwick Papers.IMG_20170823_161505

Just before the pub we turn left down Bengal Court then cross Birchin Lane and follow Cowpers Court back to Cornhill. Turn eastward here as far as Ball Court on the south side which doglegs round to St Michael’s Alley where, opposite the George & Vulture is another legendary City drinking-hall, The Jamaica Wine House. Known locally as “the Jampot” this was originally the first coffee house in London, opening in 1652 and counting Samuel Pepys amongst its clientele.

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Taking St Michael’s Alley back to Cornhill we reach St Michael’s Church  rebuilt by Wren after the Fire and restored by Sir G.G. Scott. It has a fine Gothic tower, modelled on Magdalen Tower, Oxford and a pulpit carved by Grinling Gibbons. The organ of St Peter’s Church, almost next door, was played several times by Mendelssohn and in the vestry his autograph is treasured. The church was founded, according to an ancient tablet in the vestry, by “Lucius, the first Christian king of this land called Britaine”. Many remains of Roman London have been discovered hereabouts and many authorities place here the site of the Roman forum.

Beginning with St Peter’s Alley we trace a double loop southward additionally involving Corbet Court, St Michael’s Alley again (this is at least three alleys for the price of one) and Bell Inn Yard. That brings us back to Gracechurch Street where we drop further south to Lombard Street and then proceed west to Birchin Lane which takes us north again. After a quick detour exploring the labyrinth that is Change Alley we resume northward, crossing over Cornhill into Finch Lane then over Threadneedle Street into Old Broad Street. Almost immediately veer left down Threadneedle Walk to return to Throgmorton Street generally crowded by bare-headed individuals of varying degrees of frivolity, whose presence betrays the whereabouts of that important institution, the Stock Exchange in Capel Court. The Stock Exchange referred to is the one that was created in 1801 as the first purpose-built and regulated “Subscription Room” for brokers to ply their trade. Prior to that they had gravitated away from the Royal Exchange to conduct their business in the coffee-houses of Change Alley and beyond. Capel Court no longer exists as such; in 1972 a new Stock Exchange Tower was opened on Old Broad Street and the original site redeveloped. However, come the ‘Big Bang’ and the introduction of electronic trading in 1986, the Tower became something of a white elephant and when an IRA bomb blew a whole in the 26-storey building four years later the writing was firmly on the wall. It closed permanently in 1992 and it was another 20 years before this unloved totem of the “Brutalist” era was stripped back to its core and redeveloped as a 21st century glass-clad monolith. In 2004 the London Stock Exchange eventually found a new home in Paternoster Square. Coincidentally the company I worked for made the same journey from Old Broad Street the same year.

Bit of a digression there but back to Throgmorton Street and the Drapers’ Hall. The first hall here was bought from King Henry VIII in 1543 for the sum of 1,800 marks (c.£1,200) and had previously been the home of Thomas Cromwell (up until his execution in 1840). The hall was rebuilt after the Great Fire and again in 1772 after another fire. In the 1860’s the frontage and the interior were redesigned by Herbert Williams. Further changes at the end of the 19th century included the creation of the two Atlantes (male equivalents of Caryatids); turbaned and muscular Djinns that guard either side of the entrance. These are believed to be the work of sculptor H.A Pegram (1862 – 1937).

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The full title of the Drapers’ Company is “The Master and Wardens and Brethren and Sisters of the Guild or Fraternity of the Blessed Mary the Virgin of the Mystery of Drapers of the City of London”. The word Mystery comes from the Latin “misterium” meaning professional skill. You wouldn’t get away with that if you were much lower than no.3 on the Order of Precedence. We follow Drapers’ Hall and its gardens all the way up  Throgmorton Avenue to where it joins Copthall Avenue.

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There is a bit more to come  but since we’ve just about breached the 3,000 word barrier we’ll continue from this juncture next time.