Day 34 – Bishopsgate – Middlesex Street – Finsbury Circus

Today’s walk sees us back east again; first of all south of Spitalfields in the streets taken over by the stalls of Petticoat Lane market then skirting Aldgate before heading back into the City across Bishopsgate and west into Finsbury Circus.

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We kick things off on Liverpool Street, which runs south of the eponymous mainline station. This takes us into Bishopsgate where, passing the front entrance of the station and crossing the road, we arrive at the Bishopsgate Institute.  Since the 1st of January 1895, when it was established using funds from charitable endowments made to the parish of St Botolph without Bishopsgate, the Institute has operated as a public library, public hall and meeting place for people living and working in the City of London. The architect behind this now Grade II-listed building with its elements of styles ranging from Byzantine to Art Nouveau was Charles Harrison Townsend (1851-1928). Today, in addition to being a venue for a disparate selection of cultural events, the Institute is best known for its adult education course covering over 120 different subjects.

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Turning right down Artillery Lane we head into the area between Bishopsgate and Commercial Street which is a twilight mix of the rapidly vanishing old East End and new upscale development. Dip in and out of Brushfield Street (which borders Spitalfields) using Fort Street, Stewart Street and Gun Street before heading further south down Crispin Street. On the east side here is a massive new development on the site of the old Fruit and Wool Exchange, something else we have our old friend Boris Johnson to thank for. On the other side of the street the historic painted signwriting for the Donovan Brothers paper bag making business, which they set up here in the 1830’s, still survives. As does the family business itself though it now operates out of the New Spitalfields Market in Leyton.

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A couple of doors along is Lilian Knowles House which now provides accommodation for post-graduate students of the LSE and is named after a former Professor of Economic History but was once the Providence Row night refuge for homeless women and children. Anecdotally, it is believed that Jack the Ripper’s final victim, Mary Jane Kelly, lived and worked here – she was found murdered in a nearby alley which no longer exists.

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From here we turn east down White’s Row then dip briefly south down Toynbee Street before taking a right into Brune Street. On the corner here is the Duke of Wellington pub which I mention because (a) it’s one of the few pubs in this part of the world that has a beer garden (of sorts), when I worked in the City we would occasionally trek all the way over here in the summer for that reason alone and (b) I’m surprised it’s still here.

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On the north side of Brune Street is the ceramic-tiled facade of the soup kitchen established here in 1902 to serve impoverished members of the local Jewish community. Amazingly, the facility existed right up until 1992. In earlier times it was providing groceries to up to 1,500 people a day.

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After a quick visit to Tenter Ground, at the end of Brune Street we turn left down Bell Lane then right into Cobb Street and right again into Leyden Street. On the bend where this turns into Strype Street is tucked away the 1938-built Brody House, a rare surviving example of thirties architecture in this part of town. The street itself was named after the clergyman and historian John Strype (1643 – 1737 good innings !) who in 1720 produced a new survey of London which revised and expanded the pre-Great Fire original by John Stowe (1525 – 1605) published in 1598.

Next we’re out onto Middlesex Street and bang in the midst of Petticoat Lane Market. There has been a clothing market here, in the heart of the area that has been home to the various iterations of the garment industry for centuries, since the mid 1700’s. And the name of the market has endured even though the street ceased to be called Peticote (or Petticotte) Lane in the reign of William IV c.1830. Today the Middlesex Street section of the market is only open on Sundays (this walk took place on a Sunday) whereas the Wentworth Street stalls are in situ six days a week. It’s still predominantly clothing up for sale and the majority of vendors and customers these days are drawn from the local Bangladeshi community. It’s remains a vibrant place but (and it’s hard to avoid being snotty about it) the merchandise on offer is basically an ocean of tat.

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Check in on the remaining section of Cobb Street then navigate the Wentworth Street section of the market before turning northward into Toynbee Street with its unkempt charms and note of blind faith (see left side of top right photo).

At the apex with Commercial Street we turn south again past a welcome nostalgia tug in the form of a graffiti-ed Snagglepuss. Out of the same Hanna Barbera stable as Yogi Bear, Snagglepuss actually appeared first in the Quick Draw McGraw Cartoon Show in 1959 (so he’s precisely the same vintage as me). “Heavens to Murgatroyd!”

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Turn back into Wentworth Street and then continue south towards Aldgate East via Old Castle Street, Pommel Way and Tyne Street. On the former is a vestige of the Public Wash House that was completed in 1846 and construction of which therefore started prior to the passing of the Baths and Washhouses Act by parliament in the same year. That was down to the “Committee for Promoting the Establishment of Baths and Wash-Houses for the Labouring Classes” founded in 1844 under Robert Cotton, the then Governor of the Bank of England.

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Moving on we head back towards the market up Goulston Street where these pigeons seem blissfully unaware of the danger lurking in the background;

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before cutting west down New Goulston Street which has some more striking street art. The rat crawling out of the brickwork is by graffiti artist ROA, and the horror themed building facade was created by Zabou specifically for Halloween 2016.

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Then we’re back on Middlesex Street again and turning south down towards Aldgate again we stop in the shadow of this condemned sixties’ block and turn the corner into St Botolph Street. St Botolph, the patron saint of wayfarers, lived and founded a monastery in East Anglia in the 7th century. Unusually for a Saint he lived to a ripe old age and died of natural causes.

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Nothing special about this other than the fact that it’s pretty much the last man standing in terms of the post-war concrete boxes round here being demolished and their sites redeveloped. Next up, in rapid succession, we traverse Stoney Lane, White Kennett Street (named after an 18th century Bishop of Peterborough), Gravel Lane and Harrow Place. This funky fire escape brings the next pause for breath at the end of Clothier St cul-de-sac.

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Cutler Street, which was once the site of the largest tea warehouse in the city, leads into Devonshire Square. Rather confusingly this is both the name of the road feeding into and the original Georgian square itself and also the name of the mammoth 2006 office, retail and residential redevelopment of the Cutler Gardens Estate (land owned by the East India Company back in the day). Even further back than that, the end of the 10th century in fact, the land was supposedly given by King Edgar to thirteen of his knights on condition of them each performing three duels; one on land, one below ground and one on water. Sounds pretty apocryphal to me but the creator of this work on the edge of one of the courtyards was obviously a believer.

The original square is the site of Coopers Hall home to the smallest of the London Livery Companies, The Worshipful Company of Coopers. The origins of this Company go back to the 11th century, barrel-making being one of the oldest of all the trades I guess. Not one of the most highly respected though unfortunately; apparently there is a hierarchy of Livery Companies and the Coopers only rank 36th.

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From the square we loop round Barbon Alley and Cavendish Court to arrive in Devonshire Row which takes us back into Bishopsgate. On the way the spaces created by impending new developments allow for some interesting views of the ones that have recently been completed.

Turn north on Bishopsgate then east along New Street which dog-legs left and then merges into Cock Hill. At the top here we turn left into the highly insalubrious Catherine Wheel Alley which snakes back to Bishopsgate. This is named after the Catherine Wheel pub, which was reputedly the haunt of notorious highwayman thief Dick Turpin, and stood for more than 300 years before it was demolished in 1911. The name of the pub derives from the instrument of torturous execution linked with the martyrdom of Saint Catherine of Alexandria in the 4th century. Consequently, the name of the alley was briefly changed at one point to Cat and Wheel Alley in order to placate Puritans who objected to the association of a filthy, crime-ridden alley with a martyred saint.

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Swiftly moving on, we finish off the rest of Middlesex Street then do a circuit of Sandy’s Row, Frying Pan Alley and Widegate Street before returning once more to Bishopsgate. Frying Pan Alley, perhaps unremarkably, gets its name because it once housed a shop selling pots and pans that had a huge cast iron frying pan suspended from chains as its sign.

We’re crossing over Bishopsgate next and heading south past Liverpool Street Station again. We turn right into Bishopsgate Churchyard which actually runs through the churchyard of the Church of St Botolph without Bishopsgate. As is so often the case it seems, the presence of a church on this site dates back to Saxon age. The original Saxon church was replaced twice, with the third version even surviving the Great Fire, before that was demolished in 1725, and the present church was completed four years later to the designs of James Gould, under the supervision of George Dance (the Elder). It is aisled and galleried in the classic style, and is unique among the City churches in having its tower at the East End, with the chancel underneath. Having got through WWII with the loss of just one window, the church fared less well during the IRA bombing campaign of the early 1990’s. The explosion on 24 April 1993 opened a hole in the roof and took out all the doors and windows. It was three and half years before the church was returned to its former state.

St Botolph’s was the first of the City burial grounds to be converted into a public garden. At the time this was strongly opposed but today it is treated as a welcome place of retreat from the bustle of the City. For the more energetic there is also a netball and tennis court there now.  The church garden also hosts St. Botolph’s Hall, once used as an infants’ school, but now a multipurpose church hall available for hire. Either side of its front entrance stand a pair of Coade stone figures of a schoolboy and girl in early nineteenth century costumes and nearby is the tomb of Sir William Rawlins, Sherriff of London in 1801 and a benefactor of the church.

The free standing partially-opened door you can see in the photos below is the work “Ajar” by Gavin Turk, erected in 2011 as part of the Sculpture in the City programme.

 

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Just beyond the churchyard is one of the most striking buildings in the City, the Turkish Bathhouse built by Henry and James Forder Nevill in 1895. The baths themselves were underneath the Moorish-style kiosk you see below; which as well as being the entrance originally housed water tanks. The baths were open from seven in the morning until nine at night and  a ‘plain hot-air bath, with shower’ cost 3/6d (17.5p in new money) and the ‘complete process’ 4/- (with reduced prices after 6pm). Also available were perfumed vapour, Russian vapour, Vichy, and sulphur vapour baths. There were scented showers, together with ascending, descending and spinal douches. Sounds terrifying. The baths closed in 1954 and the building was used for storage up to the 1970’s when it was converted into a restaurant for the first time. It is currently an events venue, catering for up to 150 guests at a time (it has a lot in common with the Tardis).

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The adjacent pub has outside TV screens for the convenience of its smoker clientele so I was able to freeze my nuts off watching the last 15 minutes of Bournemouth 4 Liverpool 3.
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Hurrying on (to try and thaw out) I emerge onto Old Broad Street turn right up to Liverpool Street then back down Blomfield Street to New Broad Street (which completes the loop back to its Old namesake). New Broad Street, with its masonry-faced late Victorian and Edwardian blocks on either side, is a designated conservation area and no-through road. In the distance is the Heron Tower, one of the new mega-skyscrapers constructed in the City since the turn of the millennium. More of that another time.

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Turn right on Old Broad Street this time down to London Wall and then head west past All-Hallows-on-the-Wall church. This one also traces its origins back to the 12th century when a church was built here on a bastion of the old Roman wall. The current church was built in 1767, again replacing one which had survived the Great Fire only to fall into dereliction. The new build was the work of George Dance the Younger (son of the George Dance associated with St Botolph’s).

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Back up Blomfied Street and a swing to the left and we arrive at our final destination of the day, Finsbury Circus. The circus was created in 1815-17, following demolition of the second iteration of the Bethlem Hospital that previously stood on the site, with central gardens, including a sweep of lime trees, also designed by the junior George Dance. None of the original early 19th century houses survive, all having been replaced by offices. Several of those replacement buildings are listed including Lutyens House (Nos.1-6 Finsbury Square), designed by Sir Edwin Lutyens, 1924-7 (listed grade II*); London Wall Buildings (No.25), designed by Gunton and Gunton, 1901 (listed grade II); and Salisbury House (No.31), designed by Davis and Emmanuel, 1901 (listed grade II). Salisbury House is now yet another upscale hotel. Up until recent times the centre of the gardens was occupied by a bowling green of 1925 vintage and a pavilion built in 1968, when the bowling green was enlarged, as a bowling pavilion and wine bar, to the south. To the west of the bowling green was a bandstand that was erected in 1955 and restored in the 1990s. Whether any of this remains now is extremely moot since the gardens were commandeered for the construction of a 42m deep temporary shaft to provide access for construction of the additional Crossrail station at Liverpool Street. Just as I was thinking I might have to consider taking up Lawn Green Bowls in the not too distant future.

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Day 32 – Royal Courts of Justice – Kingsway – Lincoln’s Inn Fields –

Another compact area today but one packed full of history, sights and places to visit. We start on the border between the Strand and Fleet Street with a tour round the Royal Courts of Justice then head north up Kingsway to Holborn tube before working our way back south through Lincoln’s Inn Fields and surrounding streets, taking in Sir John Soane’s Museum and the Hunterian museum along the way. And there’s a pretty good pub of the day thrown into the mix as well. On the downside none of those ports of call (apart from the pub) allow internal photography so either take a bit more notice of the external links than usual or better still go and visit yourselves – especially since they’re all free admission.

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The Royal Courts of Justice is home to both the High Court and the Court of Appeal. The former deals with higher level civil disputes and is comprised of three divisions; the Queen’s Bench division, the Chancery division and the Family division. The latter is split into two divisions which hear referrals from the Crown Court (criminal cases) and the High Court (civil cases) respectively. However, since the establishment of the Supreme Court in 2009, the Court of Appeal at the RCJ is no longer the last chance saloon for those who wish to challenge their convictions. Most of the Courts’ proceedings are presided over by a single judge but certain cases may be heard by a bench of two judges and very exceptionally, usually for cases against the police, a jury will sit. Cases being heard on any particular day are published on the Daily List which is available for public view just inside the entrance. On this occasion there were no cases sitting which I was inspired to look in on – but you would have to be very lucky to come across anything juicy if just visiting on spec.

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This soaring Gothic edifice was opened by Queen Victoria in 1882 following eleven years of construction. The architect, George Edmund Street (1824 – 1881), beat off competition from ten of his peers to win the commission but since, as you see, he didn’t live to see its completion that may have something of a pyrrhic victory. The cathedral-like quality of the building is perhaps unsurprising  given that when the architects bid for the contract that was exactly what they were led to believe it was for. You need to pass through security control to enter the building as a visitor and, as already noted, no photography is permitted. However you can wander around quite freely including along the corridors lined by the 19 courtrooms where barristers and their clients will often be huddled together discussing strategy. There are bookable guided tours or you can pick up a self-guided tour leaflet at the reception desk. This I didn’t do until I’d already been round once so I’d spent some time looking for the “Bear Garden” in the mistaken belief that this might be an actual garden. The lady on the desk set me straight by explaining that the Bear Garden is just a room where solicitors, barristers and their clients meet to discuss cases (and so I had already passed through it a couple of times). The name arose after Queen Victoria, on one of her visits, described the noise in the room as sounding like a “bear garden” (i.e. a place where bear baiting takes place). I have to say it was a bit more subdued than that when I was there.

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Once back outside we turn up Clements Inn which flanks the western wing of the RCJ and then along St Clement’s Lane and Portugal Street which cut between the main buildings that make up the London School of Economics (LSE). (I had intended to make a visit to the LSE library to look at some papers but had overlooked the fact that this was Freshers’ week so that turned out to be a non-starter). Emerge onto Kingsway by the Peacock Theatre (which is affiliated with Sadlers Wells and presents a more family-oriented dance programme) and head north.

On the corner with Sardinia Street you’ll find this sculpture called Square the Block by the artist Richard Wilson which was commissioned by the LSE for the opening of its New Academic building in 2009.

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A bit further up on the eastern side of Kingsway is the Roman Catholic Church of Saint Anselm & Saint Cecilia. Despite being a bit on the shy and retiring side as far as RC churches go there were quite a few members of the faithful paying their respects this particular lunchtime.

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Next block along on the same side is the grade II listed Africa House. This was built in 1921 and both the name and the large scale sculptural group above the central colonnades are a somewhat bathetic evocation of the British Empire which was already only just holding together by that time. The sculpture is by Benjamin Clemens (1875 – 1957), assistant master at the Royal College of Art. The group has Britannia at its centre, flanked by noble Arab traders with their camels and a big game hunter oiling his rifle. A native bearer carries a pair of tusks while the hunter’s victim lies open-eyed next to them. Other animals include a lion, a crocodile, a bison and a massive python. After a major overhaul in 2013 the building is now home to international law firm Mishcon de Reya LLP. But on its ground floor it also houses a branch of Ladbrokes and a Wetherspoons Pub – which couldn’t make more of a mockery of the pretensions of its original designers.

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On the other side of the road is what was originally Holy Trinity Church, built around 1910 following the demolition of Little Queen Street Chapel of 1831 whose foundations were destroyed during the building of the Piccadilly Line. Holy Trinity Church was badly damaged by fire in 1985 and was closed. At the turn of the millennium it was redeveloped as offices and incorporated into the adjacent Aviation House which is home to both Ofsted and the Food Standards Agency.

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Turn right past the tube station then cut down the alleyway that is New Turnstile, take a right again on Gate Street back to Kingsway, go past Africa House and left down Twyford Place. At the end turn left into Gate Street again before veering off up Little Turnstile, another alleyway, which re-emerges on High Holborn. Heading east from here takes us past the Rosewood Hotel, yet another 5* job, opened in 2013 in the former Chancery Court which was built in 1914 as the headquarters of the Pearl Assurance Company in which capacity it lasted up until 1989. (From 2000 to 2011 it was The Renaissance Hotel, part of the Marriott Group).

About a hundred yards further along turn south down Great Turnstile (the third and final of the turnstile alleyways). Return west along Whetstone Park which has nothing park-like about it and is, considering its length, one of the most unremarkable streets in the capital apart from these two very strange tiny doors on the southern side about half way down.

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After a quick look up and down Remnant Street we switch eastward again along the northern stretch of Lincoln’s Inn Fields which is the location of Sir John Soane’s Museum. This inhabits nos. 12 to 14 which were all owned by SJS, no.12 bought initially as family home and the other two acquired subsequently to house his burgeoning and eclectic collection of paintings, sculptures and historical artefacts, and then bequeathed to the nation on his death in 1837. Four years before that, he had negotiated an Act of Parliament: to preserve his house and collection, exactly as it would be at the time of his death – and to keep it open and free for inspiration and education.

The no-photo rule is strictly enforced here and mere words would struggle to convey the remarkable nature of the collection and the unique ways in which it is displayed so I would urge you to take a look at the website or simply go and see it for yourselves. I will just mention a couple of things though. Firstly, the original paintings of Hogarth’s Rake’s Progress form part of the collection that is ingeniously housed in the tardis-like Painting Room. If you’re not familiar with this series of eight tableaux, they depict a salutary tale of the perils of a life of dissolution and ignoring the love of a good woman. Secondly, down in the basement you will find the astonishing Alabaster sarcophagus of the Egyptian Pharaoh Seti of the XIX dynasty. This is regarded as one of the most important relics of Ancient Egypt ever found. It was discovered by Giovanni Battista Belzoni in 1825 and was originally offered to the British Museum but when they baulked at the £2,000 asking price Soane stepped in to acquire it (then held three separate parties to celebrate its arrival.)

 

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Tom Rakewell at peak dissolution

After leaving the museum we cut through Lincoln’s Inn Fields itself (the park rather than the fours streets surrounding it) where there is no shortage of folk taking advantage of the Indian summer weather.

Once out the other side we head south down Newman’s Row and enter into the grounds of Lincoln’s Inn. I won’t repeat the origins of the four Inns of Court that we covered when visiting Gray’s Inn a few posts back but just note that this is considered the earliest of the four with records dating back to 1422. The Great Hall and Library which are the first buildings you come to, on the north side of New Square, completed in 1845 these have a touch of the Hogwarts about them though the former is basically just a glorified refectory cum common room. From the north-east corner of New Square we head up through Old Square into Stone Buildings passing Chambers that mostly date from the last quarter of the 18th century.

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Retracing our steps we return to the Chapel the basic structure of which dates back to 1620.  This was laid by John Donne (1573 – 1631) who was preacher of the Inn at this time prior to becoming Dean of St. Paul’s. The Chapel bell, cast in 1615, also has an association with John Donne. In addition to ringing for curfew at nine each evening, the Chapel bell, cast in 1615,  is by ancient custom rung at midday on the death of a bencher of the Inn. This a practice is held to be the inspiration for the quotation from Donne’s poem beginning “No Man is an Island” which concludes “And therefore never send to know for whom the bell tolls; it tolls for thee”. The stained glass windows on the north and south sides are original 17th century. The window on the east side depicts the crests of the 228 treasurers from 1680 to 1908. The window at the west end shows the colours of the Inns of Court regiments. Inside the entrance there is a Latin-inscribed memorial to Spencer Perceval (1762 – 1812), the only British Prime Minister to have been assassinated whilst in office and who studied at Lincoln’s Inn.

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Next door to the Chapel is the Old Hall which was erected four years into the reign of Henry VII, three years before Columbus set foot in America (do the Math). Sir Thomas More, who joined the Inn in 1496, spent much of his professional life here. In the 18th and 19th centuries the Old Hall was used as a court of justice and the opening scene of Dickens’ Bleak House, with the start of the interminable Jarndyce vs Jarndyce case, is set here. (Had I known all this beforehand I would have taken more notice of the building – which only just about made it into the shot below).

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Circle round the back of the Chapel through Old Buildings and return to New Square by the Hardwicke Building. After a circuit of the square we exit Lincoln’s Inn via New Square Passage and the southern entrance onto Carey Street.

Here we turn left and then left again up Star Yard which is home to Ede & Ravenscroft, founded in 1689 and thought to be the oldest firm of tailors in the world. Beginning with the coronation of William and Mary they added royalty to their client base for the supply of ceremonial robes alongside church, judiciary and academia.

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Also in Star Yard is this decorated cast-iron structure which is apparently a urinal (though one which hasn’t been in use since the 1980’s). It’s the sort of thing you might expect to commonly find in Paris but I’m not aware of anything similar in London; which is why it has a Grade II listing no doubt.

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Bishops Court takes us out onto Chancery Lane and from there we go south and turn west back onto Carey Street. We’ve passed many red telephone boxes on our previous travels without comment but the collection at the back of the RCJ is unusual enough to warrant some remark. As hinted at in the last post, the designer of the first all metal red box was Sir Giles Gilbert Scott. This came about as a result of a 1924 competition to find a replacement for the concrete boxes (known as K1’s) introduced four years earlier but rejected by the London Metropolitan Boroughs.  At the time Scott had just been made a trustee of the SJS Museum and his design for the K2 includes a dome inspired by Soane’s self-designed mausoleums. After going through a number of iterations the design was refined by Scott until in 1935 he arrived at the K6 version which is the one which can still be seen everywhere today. The USP of the group on Carey Street is that the outer pair are original K2 models which can be compared to the two common or garden K6s in between.

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Opposite the phone boxes is today’s pub of the day, the Seven Stars. One of London’s oldest pubs, this dates from 1602 when it was reputedly a popular haunt Dutch sailors. Nowadays of course the clientele is principally from the legal profession, something reflected in the decor of the pub, as you can see the photos below. Based on the merguez sausages with couscous I had the food here is highly recommended. Not surprising as the landlady, the fantastically and genuinely named Roxy Beaujolais, has form presenting one of the BBC’s  myriad of food programmes.

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(You might also have spotted the long overdue return of reflection of the day in amongst the above). Also on Carey Street, another family business dating back to the later 17th century – it’s a different world round here and long may it stay that way.

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We’ve already mentioned Sir Thomas More in connection with Lincoln’s Inn and in the south-western corner at the junction of Carey Street with Serle Street, on the Chambers that bear his name, is this statue, designed by George Sherrin and erected in 1888. The inscription reads :

Sir Thomas More Kt
Some time
Lord High Chancellor
of England
Martyred July 6th 1535
The faithful servant
both of God and the King

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At the end of Serle Street we turn left into the southern section of Lincoln’s Inn Fields, go past the old Land Registry building (now another part of the LSE) and arrive at the Royal College of Surgeons, built 1813, which is home to the Hunterian Museum.

The museum houses the collection of human and animal anatomical and pathological specimens put together by John Hunter (1728 – 1793) considered as the founding father of scientific surgery. Much of the collection of 14,000 items was lost when the College was struck by bombs in 1941. The present form of the museum, with the remainder of Hunter’s collection at its core, took shape more than 20 years later in 1963. Due to the nature of certain of the exhibits photography is again disallowed here so I’m afraid we’ll have to make do with this shot of the staircase leading up to the museum and this report on the 1963 re-opening in the Illustrated London News at the time hunterian_2. (The skeleton of the “Irish Giant” is still on display.)

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From the south-western corner of Lincoln’s Inn Fields we do a round trip of Sardinia Street back in the heart of LSE territory. The London School of Economics was founded in 1895 by Beatrice and Sidney Webb with support from Graham Wallas and George Bernard Shaw. These four, who were all members of the recently created Fabian Society, decided to establish the School following a bequest of £20,000 in the will of Derby lawyer Henry Hunt Hutchinson who wished to advance the Fabians’ objectives of a fairer society. Today the LSE has a student body of over 10,000 around 70% of which are international (the highest proportion at any British University) representing over 150 different nationalities. And, as an illustration of how far things have changed since the LSE’s origins, a recent survey revealed more billionaires amongst its alumni than those of any other European university.

At no.13 Portsmouth Street is this representation of Dickens’ (yes that man again) Old Curiosity Shop. The old part is certainly apposite as the building is 16th century and was once the dairy on an estate given by Charles II to one of his mistresses. There is though no direct evidence that this actual building was the inspiration behind the novel. At the time of writing the shop is an upmarket men’s and women’s shoe store.

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Fork right into Sheffield Street then left into Portugal Street past the LSE library on the other side of which is a building that from 1920 to 1076 was the head office of WH Smith, as celebrated by this plaque.

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Here we veer off right for another visit to Carey Street and once beyond the phoneboxes turn south along the eastern flank of the RCJ to end up back where we started and so bring today’s marathon – in terms of word count rather than distance travelled – to a close.