Day 31 (part 2) -Finsbury Square – Golden Lane – Charterhouse Square

Second part of today’s walk is itself split into two. First off we continue west from Liverpool Street Station and make a circuit of Finsbury Square before pausing on the eastern side of the Barbican Centre. Then it’s a return trip through the Beech Street tunnel to get to Golden Lane and its eponymous estate; after which we loop round the extensive site occupied by the Charterhouse and one of the four campuses of Queen Mary University traversing Clerkenwell Road, St John Street and Charterhouse Street to finish in Charterhouse Square.

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Leaving Broadgate Circus we turn right along Eldon Street then turn back north up Finsbury Avenue which leads into Finsbury Avenue Square which contains both table tennis tables and a few pieces of public art including this piece, Rush Hour.

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Exit the square from the north-east corner into Sun Street first turning left then swiftly right into Crown Place and completing a figure of eight involving those two along with Christopher Street, Earl Street and Wilson Street. Continue south on the latter past the Wilson Street Chapel which is currently besieged by both roadworks and redevelopment of the Flying Horse pub next door. The chapel was built in 1889 which (à propos of nothing) is one of the longest Roman Numeral dates to have yet occurred – MDCCCLXXXIX.

 

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At the end of Wilson Street turn right along South Place then right again into Dominion Street facing directly towards the back entrance of City Gate House. This was constructed in the mid 1920’s to the design of Sir Giles Gilbert Scott (1880 – 1960) son of the better known and much more prolific George Gilbert Scott, creator of the Midland Hotel St Pancras (as was recorded many posts ago). Giles’ main claim to fame rests on the design of something on a much smaller scale but that’s one for our next post. City Gate House was originally built as a gentleman’s club but it’s not clear how long it lasted as such. American media giant Bloomberg acquired the building in 1991 though in 2015 they sold it on to developers (leasing it back on a temporary basis).

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Turn left next along Lackington Street then north up Finsbury Pavement (part of the A501) before turning the corner into Finsbury Square. First building you come to is the Norman Foster designed no.50 which is adjacent to City Gate House and which Bloomberg expanded into in 2000. Two years later they created the Bloomberg Space on the ground floor as a showcase for newly-commissioned contemporary visual art. The exhibitions there are generally worth a visit but the current offering left me distinctly underwhelmed I’m afraid.

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Continue round the square anti-clockwise passing the front of City Gate House and the drinking fountain that was erected by Tom and Walter Smith as a memorial to their mother Martha who died in 1898. Their father, another Tom, was the man who, in 1847, invented the Christmas Cracker. The business he created on the back of this, Tom Smith & Co., subsequently taken on by his three sons, operated from premises in Finsbury Square up until 1953 (when they moved to Norwich).

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The north side of the square is dominated by the former Triton Court (now known as the AlphaBeta Building). Triton Court was constructed in 1920, comprising three buildings, Mercury, Jupiter and Neptune Houses, internally arranged around a full height 9 storey central atrium. It underwent a first major refurbishment in 1984 and another, costing £36m, has just been completed following the change of name. On top of the tower stands a statue of the messenger of the Gods; Hermes or Mercury depending on whether you favour the Greeks or the Romans.

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After completing the circuit of Finsbury Square we head west on Chiswell Street where we pass Longbow House which now houses a branch of Currys PC World. This post-war building incorporates a relief of an archer, referencing back to the days when this area was to archery what St Andrews is to golf. That was before the advent of the musket though and the establishment of the Honourable Artillery Company whose grounds lie just to the north of here (see Day 28).

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Turn south down Finsbury Street and onto Ropemaker Street then continue west past the Barbican Centre and through the Beech Street tunnel to resume the trail at the southern end of Golden Lane. Take the first left into Brackley Street and when this junctions with Viscount Street head south initially into Bridgewater Street then double back and enter the Golden Lane estate from Fann Street.

The Golden Lane Estate was built in the 1950’s in an area which, as we have seen previously, was effectively razed to the ground by the blitz. A competition for the  design had been launched in 1951 and was won by Geoffrey Powell, a lecturer in architecture at Kingston School of Art. He then formed the partnership of Chamberlain, Powell & Bon with two of his fellow lecturers in order to carry out the project – the three had entered into an agreement that if any one of them won they would share the commission. The first  phase was opened in 1957 and the final block completed five years later. The estate consists of a series of relatively low-level maisonette blocks and the 16-storey centrepiece, Great Arthur House, which was the first residential tower block in London over 50 metres in height. The architectural style takes definite inspiration from the work of Le Corbusier but is softened by the use of primary colours on the facades.

At the time of construction the estate was regarded enthusiastically as a template for integrated social housing and it has indubitably stood test of time better than most of its contemporaries. Unsurprisingly, given the location, slightly over half of the 559 flats have been sold on leasehold since the Thatcher government’s introduction of the right to buy scheme. The attractiveness of taking advantage of such opportunity is enhanced by a level of on-site facilities replicated in scant few other London council estates – including a leisure centre with tennis courts and an indoor pool. Since 1997 the estate buildings have been Grade II listed.

So we exit the estate back out onto Golden Lane itself and continue north before turning west onto Baltic Street East and completing a grid consisting of this, Honduras Street, Timber Street, Domingo Street, Crescent Row, Memel Street, Memel Court, Sycamore Street and Baltic Street West. And the only thing of note to record in this whole area is this doorway of a former school which I can find no information about.

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Anyway, after all that we find ourselves out on the Goswell Road and then turning the corner into Clerkenwell Road where the mural that we saw back in Day 14 has now been replaced by a giant-sized Jessica Ennis-Hill.

Turn south all the way down St John Street to arrive opposite Smithfield Market then take a left down Charterhouse Street which soon splits in two. Take the left fork which takes us past a couple of pubs of note. First is the Smithfield Tavern which on the website which is still running advertises itself as Smithfields’ only vegetarian and vegan pub. You can see how well that worked from the picture below. Second is the Fox and Anchor which in its current four-storey art-nouveau facaded Grade II-listed incarnation has been around since the tail end of the 19th century (though there has been a pub of some kind here for several centuries).

Continuing on we arrive at Charterhouse Square. On the north side of the square sits the Charterhouse,  a former Carthusian monastery which since Henry VIII’s dissolution of the monasteries in the 16th century the house has served as a private mansion, a boys’ school and an almshouse which it remains to this day. The site was originally set aside in the middle of the 14th century as a burial ground for victims of the Black Death and the monastery was established in 1371 on the unused portion of the land. In 1611, the year of his death, Thomas Sutton (1532 – 1611), businessman, civil servant and philanthropist, founded an almshouse for “80 impoverished gentlemen” and a school for 40 boys. Charterhouse School eventually outgrew its premises and moved to Godalming in Surrey in 1872 selling the site to another school, Merchant Taylor’s, which itself moved on in 1933. Today this part of the site is occupied by one of the four campuses of Queen Mary University London. The almshouse, which remains, is formally known as Sutton’s Hospital in Charterhouse and is a registered charity. For historic reasons the residents are still known as “Brothers”.

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The entrance to the University campus is via Rutland Place at the north-east corner of the square. On the east side of this lies Dean Rees House, part of the University now but built in 1894 as the Headmaster’s House and still bearing the motif of the Merchant Taylor’s School.

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The east side of Charterhouse Square itself is dominated by the Art Deco Florin Court built 1935-37 by Guy Morgan & Partners. When the building was refurbished in 1988 the original roof gardens were reinstated and a basement swimming pool added. Post-refurb and through the nineties it found fame in the guise of Whitehaven Mansions home to the TV version of Agatha Christie’s Poirot.

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Leaving the square via Carthusian Street (named after those monks of course) we arrive on Aldersgate Street, flanking the west side of the Barbican complex, and the finish of today’s perambulations.

 

 

 

 

 

 

 

 

Day 29 – Bunhill Fields – Whitecross Street – Barbican

This walk begins opposite where the last one finished, on the western side of City Road at Bunhill Fields, the last remaining historic burial ground in central London. It then winds its way westwards and southwards, taking in Whitecross Street market before ending up at the behemoth of modernist architecture that is the Barbican Centre and estate.

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Bunhill Fields is the final resting place for an estimated 120,000 souls, a large proportion of them interred at the time of the great plague of 1665 when the area first came into use as a burial ground. As the ground was never consecrated by the Church of England it became a popular burial site for Nonconformists and Radicals among whose number were  John Bunyan (1628 – 1688), the author of The Pilgrim’s Progress and a Baptist, Daniel Defoe (1660 -1731), writer of Gulliver’s Travels and Moll Flanders and a Presbyterian, and William Blake (1757 – 1827), poet, artist and religious iconoclast.

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Tomb of John Bunyan
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Memorials to Daniel Defoe and William Blake

The last burial here took place in 1854 and the site was configured into its current layout in the 1860’s with a public garden area created alongside a hundred years later. The burial ground now contains 2,333 monuments, mostly simple headstones (of which there are 1,920) arranged in a grid formation. Among the more extravagant memorials is that of Dame Mary Page, wife of Sir Gregory Page, first baronet, wealthy City merchant and East India Company director. As you can see below, the tomb is unusual in bearing an inscription setting out the graphic detail of the disease that brought about the lady’s demise – believed to be what is now known as Meigs’ Syndrome.

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After a circuit of Bunhill Fields we head north up City Road a short distance before turning left into Featherstone Street and proceeding west to Bunhill Row with a brief deviation into Mallow Street. Cross over into Banner Street just off the south side of which sits the Bunhill Fields Quaker Friends House, originally the caretaker’s house of a set of Quaker mission buildings, the rest of which were destroyed in WWII. The surrounding gardens and playground occupy the site of the old ‘Quaker Burying Ground’ where the movement’s founder, George Fox, is buried along with many thousand early adherents.

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At the next intersection with we turn north for the first of several visits to Whitecross Street. This has been home to an eponymous market since the 17th century though by the late 19th century the area had become a by-word for poverty and alcohol, known colloquially as Squalors’ Market. When I used to visit it occasionally ten years or more ago it was very much in the “pile it cheap and high” tradition of street markets with just the odd food stall among the DVDs, kitchen implements and cut-price clothing. Nowadays the “street food” has effectively taken over completely and the market is more-or-less just a lunchtime affair. Naturally (in keeping with established tradition) I got here just as all the stalls were packing up.

We hit Old Street just opposite St Luke’s and resume west as far as Golden Lane where we turn south then east along Garrett Street back to Whitecross Street. The restaurants that line the street have gone pretty upmarket and edged out most of the old-school retailers. The second-hand record store run by a couple of aging Teddy Boys is long gone but one or two of the old guard cling on as you can see.

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Whitecross Street and its offshoots have also succumbed to the encroachment of “street art” (spreading west from its Shoreditch heartland). Topically and appositely, the latest manifestation is an image of someone very cross and very white.

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Next up it’s the western stretch of Banner Street which returns us to Golden Lane where we look in on Nags Head Court before turning back east along Roscoe Street. Loop round Baird Street then continue east along Chequer Street (through another Peabody Trust estate). On the return to Bunhill Row we dip south briefly then make a right into Dufferin Street and complete a circuit of Dufferin Avenue and Cahill Street before crossing Whitecross again, this time into Fortune Street. Where this meets Golden Lane once more we encounter what can only be a sign of things to come.

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Turning south we arrive at no.1 Golden Lane which is now offices of UBS Bank but started life in 1896 as the home of the Cripplegate Institute; a charitable foundation set up by the City of London Parish of the same name. The building, designed by architect Sidney Smith, who was also responsible for what is now known as Tate Britain, incorporated a reference library, news and magazine rooms and classrooms for teaching such subjects as photography, dressmaking and first aid. In 1898 a theatre, staging mainly amateur productions, was opened in the building. The institute left the premises in 1987 and relocated to Chiswick, having sold the building for £4.5m.

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At its southern end Golden Lane emerges into Beech Street, a lengthy stretch of which forms the Barbican Tunnel. Heading east again we pass the Barbican Cinema which is now housed in a separate building from the rest of the arts complex.

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Passing this we turn back into Whitecross Street where the last vestiges of the old 3-for-a-fiver style street market are huddled in a concrete forecourt to a Waitrose supermarket. I once bought a checkered trilby hat here for £6 and still get occasional use out of it when the sun deigns to make a proper effort.

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Next right is Errol Street which forks right again into Lambs Buildings where you can find the home of the Royal Statistical Society in a converted Victorian Sunday School building. In 1833 the British Association for the Advancement of Science (BA) created a statistical section following a presentation by the Belgian statistician Adolphe Quetelet to its fellows. This proved so popular that, a year later, a Statistical Society was founded by Charles Babbage, Thomas Malthus and Richard Jones with the Marquis of Lansdowne as President. Florence Nightingale became the first female member in 1858. I failed miserably to come up with any interesting actual statistics about the RSS but a mildly interesting fact is that Harold Wilson was its President in 1972-73 whilst leader of the opposition to Ted Heath.

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Just around the corner is St Joseph’s Catholic Church featuring the memorial Cardinal Hume Quiet Garden.

Turning left we’re back on Bunhill Row which was originally called Artillery Walk (as it runs along the western side of the grounds of the Honourable Artillery Company – as featured in the last post). John Milton lived here for a time, during which he completed Paradise Regained.

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We go south from here onto Chiswell Street and then complete a circuit of Lamb’s Passage, Sutton’s Way and Whitecross Street (for one final time) before crossing into Silk Street and entering the Barbican Centre just as the rain starts to fall.

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The Grade II listed Barbican is Europe’s largest multi-arts and conference venue and one of London’s best examples of Brutalist architecture. It was developed from designs by architects Chamberlin, Powell and Bon as part of a utopian vision to transform an area of London left devastated by bombing during the Second World War. Although the first proposals were submitted in 1955 it wasn’t until 1971 that construction started and 1982 when the Queen formally opened the building. For a whistle-stop  history of the Barbican site from medieval times to the present day I would recommend this animated video inspired by an essay from the pen of Peter Ackroyd. The image below shows how things looked in 1955, with only the church of St Giles Cripplegate having miraculously survived the carnage wrought by the German air raids.

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The following selection of images feature :

  • a spatial installation in the foyer (until 10/09/2016), exploring the theme of collision, in which two revolving arms narrowly evade each other in a mobile of light and sound in constant motion.
  • the Barbican Muse – a sculpture, created by artist Matthew Spender, of a woman holding the separate masks of tragedy and comedy.
  • the Guildhall School of Music and Drama – founded in 1880 and taking up residence in the Barbican complex in 1977.
  • the “lakeside” terrace (thronged on this day with graduating students from King’s College)
  • the residential tower blocks (now some of last remaining from their era)

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Nip in to see the latest exhibition in the art gallery which is a retrospective of work by the Icelandic performance artist, Ragnar Kjartansson which you can catch until the first week of September 2016. Centrepiece of the exhibition is a work entitled Take Me Here by the Dishwasher: Memorial for a Marriage (2011) a live performance featuring ten guitar-strumming troubadours singing for up to eight hours a day against a backdrop of a clip from an Icelandic softcore film of the Seventies starring the artist’s parents.

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Leave the Barbican by the Silk Street entrance again, head east and loop round Milton Street and Moor Lane. This area is home to several of the monolithic glass skyscrapers that have come to dominate the City and these days there are as many residential as there are office blocks and I find myself asking if there isn’t perhaps a finite pool of people who can stump up £3.75m plus for an apartment, however stunning the view.

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Moor Lane backs onto another massive instalment of the Crossrail redevelopment.

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Fore Street takes us round to the southern side of the Barbican complex where we find the aforementioned St Giles Cripplegate church.  It is believed that there has been a church on this site since Saxon times though it was during the Middle Ages that it was dedicated to St Giles. The name “Cripplegate” refers to one of the gates through the old City wall, which had its origins in Roman times as a fortification to protect the Roman city from attackers. There is no definitive explanation of the origin of the word ‘Cripplegate’ but it is thought unlikely that it relates to cripples despite the fact that St Giles is their patron saint (along with beggars and blacksmiths).  It is more likely that the word comes from the Anglo-Saxon “cruplegate” which means a covered way or tunnel, which would have run from the town gate of Cripplegate to the original Barbican, a fortified watchtower on the City wall. Sections of the old wall can still be seen near the church.

The church was designated a Grade I listed building on 4 January 1950 and it was extensively restored in 1966. Against the northern flank of the church is one of 14 artworks located around central London which were organised during Lent 2016 into a trail telling the story of the Passion of Christ under the umbrella title Stations of the Cross. Some of these (like the Jean Cocteau mural reported on a couple of posts back) are longstanding features of the city but the one you can see below, station no.9 by G.Roland Biermann, is one of four freshly commissioned pieces in 2016.

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As you see, after an absence of several weeks, some more of my pigeon friends have managed to inveigle themselves into this final collection of images.

Leaving the many fascinations of the Barbican behind we finish for today by walking down Wood Street to London Wall (which we will return to on other occasion).